September 5, 1949-June 7, 1954 (NBC); June 14, 1954-June 16, 1963 (ABC). "Voice of Firestone," which began on radio in 1928, was a Monday-night perennial for more than two decades before coming to television in 1949; for the next five years it was simulcast on NBC radio and television, until a dispute between the sponsor and the network over the Monday time slot led Firestone to shift the program to ABC. The half-hour musical series presented all kinds of music, but emphasized classical and semiclassical selections. Each week a guest celebrity was featured, and for many years the principal guests came from the Metropolitan Opera Company. The Firestone Orchestra was conducted by Howard Barlow, and the show was hosted by John Daly during its years on ABC; Hugh James was the announcer. "Voice of Firestone" was seen as a series of specials from 1959 until 1962; it returned as a weekly series in the fall of 1962 for a final season (September 30, 1962-June 16, 1963). 

Dupe Of Number 4953.                          

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.                                                                 

July 18th, 1958- March 26th, 1972

Series of concerts originating from Carnegie Hall in New York City. Beginning in 1962, they were broadcast from Lincoln Center in New York City. Leonard Bernstein conducted fifty three such televised performances until 1972. 

"The Sound of a Hall" is the theme.  

Dupe Of Number 323.                                                                                                                                              

January 12, 1959-April 26, 1968. This musical series ran semi regularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra. 

Thanksgiving program. Host: Martha Wright

 






                                                                                                                    

October 18th, 1959-1966, 

A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. 

Hans Rosbaud Conductor. 




  

 



                                                                                                                                                                                                                                                                                                                        

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.                                                                              

The song "Limbo Rock" is heard. A bulletin from WABC Radio News:
A DC 7 air crash with 22 survivors.             

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                 

Originally premiered Oct 29th, 1956 as a fifteen minute program on KRCA, Los Angeles.

American composer and singer Curt Massey and singer Martha Tilton team up on this musical series.                                                                         

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.                                                                                           

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                              

8-4-62-?? 1963

Frankly Jazz was a thirty minute musical television program, produced in Los Angeles and broadcast on KTLA television in the early 1960's. Each program featured one or more prominent West Coast Jazz performers of the day. The program was hosted by jazz disk jockey Frank Evans. Regulars on the show included musicians Bud Shank, Gary Peacock, Larry Bunker, Terry Morel, Chico Guerrero and composer, arranger and pianist Clare Fischer. 

                                                 

September 5, 1949-June 7, 1954 (NBC); June 14, 1954-June 16, 1963 (ABC). "Voice of Firestone," which began on radio in 1928, was a Monday-night perennial for more than two decades before coming to television in 1949; for the next five years it was simulcast on NBC radio and television, until a dispute between the sponsor and the network over the Monday time slot led Firestone to shift the program to ABC. The half-hour musical series presented all kinds of music, but emphasized classical and semi classical selections. Each week a guest celebrity was featured, and for many years the principal guests came from the Metropolitan Opera Company. The Firestone Orchestra was conducted by Howard Barlow, and the show was hosted by John Daly during its years on ABC; Hugh James was the announcer. "Voice of Firestone" was seen as a series of specials from 1959 until 1962; it returned as a weekly series in the fall of 1962 for a final season (September 30, 1962-June 16, 1963).             

8-4-62-?? 1963

Frankly Jazz was a thirty minute musical television program, produced in Los Angeles and broadcast on KTLA television in the early 1960's. Each program featured one or more prominent West Coast Jazz performers of the day. The program was hosted by jazz disk jockey Frank Evans. Regulars on the show included musicians Bud Shank, Gary Peacock, Larry Bunker, Terry Morel, Chico Guerrero and composer, arranger and pianist Clare Fischer. 

                                                              

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                                           

The Bruce Morrow (Cousin Brucie) rock and roll show, broadcast on WABC radio in New York City. Short segment.

Host: Bruce Morrow.                                      

November 21, 1962 - February 27 1963

Max Morath, a ragtime pianist and raconteur, hosts this half-hour series focusing on the nations manners and morals at the turn of the century, a period spanning three decades from 1890 to 1920.

The idea that the history of any era can be told in terms of its popular songs is being put to the test on this new series comprised of 15 episodes by New york's educational channel. 


Featuring Max Morath, a ragtime pianist and raconteur, this half-hour series of broadcasts takes a musical look at the turn of the century.

In this episode Robert Benson,  ;and Max Morath tour the communication of the sale of the song at the turn of the century. 

This series is one of the earliest examples of programming on the newly formed New York Public Broadcast Station WNDT Ch.13, which debuted on the air September 16, 1962.                                                                 

July 18th, 1958- March 26th, 1972

Series of concerts originating from Carnegie Hall in New York City. Beginning in 1962, they were broadcast from Lincoln Center in New York City. Leonard Bernstein conducted fifty three such televised performances until 1972. 

"What is a Melody" is the theme.                                                                                                          

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

Christmas Show Repeat From December, 1961.                                                                                                       

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

Christmas Show Repeat From December, 1961.

Continuation Of Christmas Show From December, 1961.                                                                                                                 

   Christmas show with a segment entitled, "The World Needs Guided Men."                      

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

                                                                                                                              

NEW YEARS EVE SHOW

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                                                        

8-4-62-?? 1963

Frankly Jazz was a thirty minute musical television program, produced in Los Angeles and broadcast on KTLA television in the early 1960's. Each program featured one or more prominent West Coast Jazz performers of the day. The program was hosted by jazz disk jockey Frank Evans. Regulars on the show included musicians Bud Shank, Gary Peacock, Larry Bunker, Terry Morel, Chico Guerrero and composer, arranger and pianist Clare Fischer. 

                                                                           

Beginning in 1929, a New Year's Eve Tradition...Guy Lombardo & his Royal Canadians. Guy Lombardo was best known to TV audiences for his annual New Year's Eve telecasts. His brothers Carmen (the band's musical director), Victor, & Lebert were all members of the orchestra. Guy, the eldest, was designated the leader. For most of his years in television, Guy Lombardo represented nostalgia for the '30s and '40s. At midnight the traditional welcoming in of the New Year at Times Square is presented. Jack Lescoulie brings in the New Year at Times Square.   

The best-known New Year's Eve shows on radio and then television was hosted by bandleader Guy Lombardo, who hosted 21 consecutive New Year's Eve shows from 1956 to 1976 on CBS, and for a time in syndication. Lombardo's first radio broadcast on New Year's Eve was heard on December 31, 1928 over CBS Radio, and for a time he even split hosting duties by broadcasting on CBS Radio before 12 Midnight EST and on NBC Radio after Midnight. Lombardo would host 48 straight New Year's Eve broadcasts until his death in 1977, and famously performed "Auld Lang Syne" by his Royal Canadians as the clock struck 12 Midnight, ushering in the start of a New Year. 

Once the Lombardo orchestra began their annual television shows, there would be a live segment from Times Square, which was (and still is) the focal point of the nation's largest New Year's celebration. In the early years of Lombardo's television specials, Robert Trout reported on and counted down to Midnight in New York's Times Square; but for most of Lombardo's years on television, another legendary newsman, Ben Grauer, had the honor. (Grauer, by the way, also reported from Times Square for NBC Radio on celebrations following the surrender of Japan on August 14, 1945.

The first New Year's Eve special on television was broadcast on December 31, 1941 on WNBT New York, and consisted of entertainment broadcast from the Rainbow Room, atop the RCA Building in New York's Rockefeller Center.[3]

Due to World War II, there would be no more New Year's Eve specials on television until December 31, 1945. WNBT produced a remote broadcast of festivities in Times Square. While NBC had begun to feed programs to WRGB is the Albany area and WPTZ in Philadelphia, information is unavailable as to whether either or both of these stations broadcast the program, or if it was seen just locally in New York.[4]

Unless New Year's Eve fell on a weekend, NBC would carry a special New Year's version of "The Tonight Show" each year beginning in 1954, including coverage of the arrival of the New Year in Times Square.

Dick Clark himself had actually emceed one New Year's Eve TV special prior to 1972; on December 31, 1959, he emceed a 90-minute New Year's special on ABC. One of the guests was Frankie Avalon. But it would be the last time Clark would do a New Year's Eve television special for the next thirteen years.

By the 1970s, Lombardo's big band music skewed to an older generation, so Dick Clark started his telecast in 1972 to compete.  

New Year's Eve celebration, ushering in the year 1963. pickup from Times Square with Robert Trout and Guy Lombardo's orchestra (The Royal Canadians) from the Americana Hotel in New York City.                                                          

November 21, 1962 - February 27 1963

Max Morath, a ragtime pianist and raconteur, hosts this half-hour series focusing on the nations manners and morals at the turn of the century, a period spanning three decades from 1890 to 1920.

The idea that the history of any era can be told in terms of its popular songs is being put to the test on this new series comprised of 15 episodes by New york's educational channel. 


Featuring Max Morath, a ragtime pianist and raconteur, this half-hour series of broadcasts takes a musical look at the turn of the century.

In this episode Robert Benson  and Max Morath take a look at the communication revolution. 

This series is one of the earliest examples of programming on the newly formed New York Public Broadcast Station WNDT Ch.13, which debuted on the air September 16, 1962.                                                                                                        

November 21, 1962 - February 27 1963

Max Morath, a ragtime pianist and raconteur, hosts this half-hour series focusing on the nations manners and morals at the turn of the century, a period spanning three decades from 1890 to 1920.

The idea that the history of any era can be told in terms of its popular songs is being put to the test on this new series comprised of 15 episodes by New york's educational channel. 


Featuring Max Morath, a ragtime pianist and raconteur, this half-hour series of broadcasts takes a musical look at the turn of the century.

In this episode Robert Benson  and Max Morath take a look at the transportation revolution. 

This series is one of the earliest examples of programming on the newly formed New York Public Broadcast Station WNDT Ch.13, which debuted on the air September 16, 1962.                                                                                                                     

November 21, 1962 - February 27 1963

Max Morath, a ragtime pianist and raconteur, hosts this half-hour series focusing on the nations manners and morals at the turn of the century, a period spanning three decades from 1890 to 1920.

The idea that the history of any era can be told in terms of its popular songs is being put to the test on this new series comprised of 15 episodes by New york's educational channel. 


Featuring Max Morath, a ragtime pianist and raconteur, this half-hour series of broadcasts takes a musical look at the turn of the century.

In this episode Robert Benson  and Max Morath take a look at leisure time at the turn of the century. 

This series is one of the earliest examples of programming on the newly formed New York Public Broadcast Station WNDT Ch.13, which debuted on the air September 16, 1962.                                                                                                                                               

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

                                                                                                                                           

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                                                                                  

November 21, 1962 - February 27 1963

Max Morath, a ragtime pianist and raconteur, hosts this half-hour series focusing on the nations manners and morals at the turn of the century, a period spanning three decades from 1890 to 1920.

The idea that the history of any era can be told in terms of its popular songs is being put to the test on this new series comprised of 15 episodes by New york's educational channel. 


Featuring Max Morath, a ragtime pianist and raconteur, this half-hour series of broadcasts takes a musical look at the turn of the century.

In this episode Robert Benson  and Max Morath take a look at the legacy of  'Player Pianos.'

This series is one of the earliest examples of programming on the newly formed New York Public Broadcast Station WNDT Ch.13, which debuted on the air September 16, 1962.                                                                                                                                                            

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                                                                                               

November 21, 1962 - February 27 1963

Max Morath, a ragtime pianist and raconteur, hosts this half-hour series focusing on the nations manners and morals at the turn of the century, a period spanning three decades from 1890 to 1920.

The idea that the history of any era can be told in terms of its popular songs is being put to the test on this new series comprised of 15 episodes by New york's educational channel. 


Featuring Max Morath, a ragtime pianist and raconteur, this half-hour series of broadcasts takes a musical look at the turn of the century.

In this episode Robert Benson  and Max Morath take a look at The Big City.

This series is one of the earliest examples of programming on the newly formed New York Public Broadcast Station WNDT Ch.13, which debuted on the air September 16, 1962.                                                                                                                                                                         

January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.  

                                                                                                                                                        

A country jamboree with country singer Jimmy Wakely.

July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.                                                                                                                                                            

1956-Syndicated, October 12th, 1956-May 3rd, 1957-ABC, 1963-Syndicated. 

Band leader Ray Anthony hosted his own syndicated  variety show in 1956, that was later picked up by ABC. A new syndicated half hour version ran during the 1963 season.     

Series Premiere. The Bookends (Lisa Marne and Vikki Carr voice the opening of the show. 

Ray Anthony opens the show with a solo trumpet, "Worried Mind."

Tonight's music from Greece have Viki Carr and Lisa Marne (The Bookends) sing together, "Never on a Sunday," and Carr sings solo, "I've Got You Under My Skin."

Television debut of jazz pianist Kellie Greene and her swinging sounds who becomes a regular on this series. 

Guest Ernest Borgnine and Ray Anthony discuss the series McHale's Navy. Also great  appreciation extended by Borgnine  to Frank Sinatra and  how he started in show business. 

Leroy, Jack and  Bob in the band play for Ray who sings "Mack the Knife."    

NOTE: Occasional very slight variations in sound quality.                                                 

Bob Dayton was a disc jockey at WABC radio in New York City from January 1963- thru August 6th, 1965 when he was fired by the station for making a remark about "Happy Birthday Hiroshima" while introducing the Crests "Sixteen Candles." 

An intro to the song "Walk Right In" is heard.