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#7250L: LAWRENCE WELK SHOW, THE
Order1961-03-04, WABC, ?? min.
July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-03-04, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Some songs stay alive despite any changes in taste or style, and a large number of the songs we’re singing now were written in the Ragtime Era. Mr. Morath sings many of them and describes why they have remained so popular for so long. The fact that they were written by musicians who were not professional song writers, the use of a simple pattern of notes, and the rhythms which made them easy to sing made these songs memorable. This program features not only Mr. Morath, but also a barbershop quartet. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
#4535: SING ALONG WITH MITCH
Order1961-03-10, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#7254: LAWRENCE WELK SHOW, THE
Order1961-03-11, WABC, ?? min.
July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-03-11, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Musical comedies broke away from the Viennese operetta in the Ragtime Era, and Mr. Morath spends this program telling about the ancestors of Naughty Marietta, and, later, Oklahoma! and Carousel. Jerome Kern, Irving Berlin, George Gershwin and Cole Porter gained their starts from the impetus of the musical comedies, vaudeville shows and extravaganzas of the Ragtime Era. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-03-12, WNBC, 54 min.
- Art Carney
- Barbara Cook
- John McGovern
- Dan Keyes
- Pat Harrington Sr.
- Warde Donovan
- Barbara Robbins
- Dick O Neill
- George Turner
- Grania O Malley
- Al Henderson
- Henri Rene
- David Saxon
- Diane Lampert
- Peter Farrow
December 8, 1957-June 18, 1961. Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." Presented on "THE CHEVY SHOW." An original musical fantasy, based on a story by Stephen Vincent Benet, about an Irishman who sets off for America. The leprechaun Rory and his friends are portrayed by the Baird Marionettes. Book by A. J. Russell from a story by Stephen Vincent Benet. Music by David Saxon. Lyrics by Diane Lampert and Peter Farrow. Songs include, "Every Little Boy," "Watcha Do on Sunday,?" "Hoo Boo,""Shenanigans," "Watersprite Ballet," and Goin' Green." NOTE: A "LOST" television broadcast only survives on B/W 16mm original negative stock and separate 16mm neg. optical track...not processed since its original broadcast almost sixty years ago. Unlike many other musical productions for television during the 1950's and 1960's NO LP was conceived or created for this presentation. The ATA original reel to reel pristine direct line audio recording of O'HALLORAN'S LUCK was completed at the time of its one time airing, in color, on NBC TV.
1961-03-13, NBC, 21 min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack Paar comments on his feud with Ed Sullivan, bitterly attacks him as well as the press, calls Sullivan a "liar."
1961-03-13, WMCA, 6 min.
Barry Gray was an American radio personality, often referred to as "the father of talk radio." His late-night New York City radio talk show was carried by WOR radio and then later by WMCA. Barry Gray returned to WMCA in 1950, and stayed there for 39 years, refining the talk show format still utilized today. During the 1960s, he was in the odd position of having an 11 p.m.-1 a.m. late night talk show on a station otherwise dominated by Top 40 music and the youth-targeted "Good Guys" disc jockey campaign. But for teenagers who kept their radios on into the night, Gray's show was a window into the high-brow New York culture of the 1940s and 1950s. We hear Jack Paar concluding his Tonight Show NBC TV broadcast stating that Ed Sullivan is a liar and he must suffer publicly for his actions. Paar mentions that he requests NBC not to delete what he has just said when his show, on Tape, is aired this evening. The final five minutes of The Barry Gray Show at 12:55am (March 14, 1961, WMCA Radio) is heard, two hours after Paar's Tonight Show has been broadcast. Ed Sullivan emphatically tells Gray, by phone, that he is not a bully and that Paar can call him any name he desires. Barry Gray's in studio guest Jackie Kannon states his impressions about the Paar/Sullivan feud.
1961-03-13, NBC, 44 min.
July 29, 1957- March 30,1962. Jack Paar speaks vehemently about Ed Sullivan continuously. He explains why Ed Sullivan refused to appear on The Tonight Show. Jack said that Ed wanted to use a teleprompter and to read a prepared statement. Jack said "any idiot can read a teleprompter" and continued to address other grievances about Sullivan including feuds with Joey Bishop who Paar considers as a protege. He ends his address calling Ed Sullivan a liar. NOTE: Highlights of this broadcast unprecedented monologue is the only example of a JACK PAAR TONIGHT SHOW where Jack was a guest on his own show. Hugh Downs opens the 11:15pm opening segment as substitute host, and conducts the show for the first 15 minutes. Jack Paar is introduced at 11:30pm. He then speaks about Ed Sullivan continuously for 51 minutes, only interrupted for commercials. At 12:21am Jack finally finishes his emotional tirade, calling Ed Sullivan a liar! So angry was Paar that he left the show after his monologue, leaving Hugh Downs to finish the show. Archival Television Audio, Inc. has a portion of this memorable historic episode recorded on audio tape related to the never predictable host of The Tonight Show, Jack Paar. THIS BROADCAST WAS THE HIGHEST RATED JACK PAAR TONIGHT SHOW aired during his four and one half years as host. Occasional variations in sound quality. Duplicate of 9441.
1961-03-13, NBC, 17 min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack Paar comments on his feud with Ed Sullivan, bitterly attacks him as well as the press, calls Sullivan a "liar." Duplicate of #13525.
1961-03-13, NBC, 27 min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack Paar comments on his feud with Ed Sullivan, bitterly attacks him as well as the press, calls Sullivan a "liar." Paar also discusses leaving the Tonight Show. Duplicate of 13525.
1961-03-14, NBC, 4 min.
July 29, 1957- March 30,1962. For four years and eight months, Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times, and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, news bulletin on the "Explorer I" satellite, launched today. More talk about feud with Ed Sullivan.
1961-03-17, PBS, 00 min.
John Conte was host for this half hour series of thirty nine easy listening programs, featuring Annunzio Mantovani and his orchestra. This series was produced in England and syndicated in the United States. The program featured a guest star each week. This program debuted in the United States on WNET channel 13 in New York on April 15th, 1961 with singer Dorothy Collins in a salute to the silver screen. Dupe of number 3924.
#7230: JACK BENNY PROGRAM
Order1961-03-19, CBS, 00 min.
October 28th, 1950- September 15th, 1964 (CBS) September 25th,1964-September 10th, 1965 (NBC) Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston. "Jack goes to Las Vegas."
1961-03-22, NBC, 58 min.
- Martha Raye
- Kaye Ballard
- Paul Lynde
- Perry Como
- Mitchell Ayres Orchestra
- Ginny Tiu
- Frank Gallop
- Jack Duffy
- Sandy Stewart
- Julie Newmar
December 24th, 1948- June 4th, 1950 (NBC) October 2nd, 1950-June 24th 1955 (CBS) September 17th 1955- June 12th, 1963 (NBC) In 1944, the year his first record was released, Perry Como appeared on radio in The Chesterfield Supper Club; when that show came to television late in 1948, Como came with it, and has remained on television for more than four decades. The Chesterfield Supper Club, which also featured The Mitchell Ayres Orchestra and the Fontane Sisters, was originally seen on Friday nights but soon shifted to a half-hour slot on Sundays, opposite Ed Sullivan's "Toast Of The Town." In the fall of 1950, Como shifted to CBS where he hosted his own show for the next five seasons; the fifteen-minute program was seen Mondays, Wednesdays, and Fridays, following the network news. Also featured were the Mitchell Ayres Orchestra and The Fontane Sisters, together with announcer Frank Gallop. In the fall of 1955 Como returned to NBC, where he hosted a weekly hour show for the next eight years; from 1955 to 1959 it was seen Saturdays and was titled The Perry Como Show. From 1959 to 1963 it was seen on Wednesdays and was titled The Kraft Music Hall. The Mitchell Ayres Orchestra and Frank Gallop were again featured, along with The Ray Charles Singers and The Louis DaPron Dancers (later, The Peter Gennaro Dancers). The Como Music Hall Players included Don Adams, Paul Lynde, Kaye Ballard, Jack Duffy, and Sandy Stewart. Show of 3-22-61. Guests: Actress Julie Newmar, Actress Martha Raye, Child Pianist Ginny Tiu. Commercials included. Announcer Frank Gallop.
#4536: SING ALONG WITH MITCH
Order1961-03-24, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#7398: SING ALONG WITH MITCH
Order1961-03-24, NBC, 00 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
1961-03-25, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. What is Tin Pan Alley? When did it get its start? Max Morath answers these and other questions in the course of an amazing and amusing program devoted to the music business. In the Ragtime Era. Do you realize that “A Bicycle Built for Two” was rejected by American music publishers, and only became popular after it was printed in England? Do you know who invented the phrase “Tin Pan Alley?” What do the names Rosenfeld, Von Tilzer, Berlin, or words like “nickelodeon,” “illustrated song,” or “coon song” mean to you? Did you know that popular music is one of the outstanding examples of the improvement in civil liberties over the past decade? Or that it was ragtime which brought everyday speech and slang into popular songs? In this episode, Max Morath explains how Tin Pan Alley got its name; discusses the rise of the popular song in America; explains the idea of the “Illustrated Song” as an advertising technique for selling songs; discusses the dangers of stereotypes and racism in song and plays a “coon song” from the Rag Time Era; explains the meaning of copyright and gives a brief history on the invention of the gramophone. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-03-28, WNBC, 62 min.
January 14, 1952-Present. First early-morning network program and longest-running daytime series. Created by Sylvester "Pat" Weaver. Telecast Monday thru Friday, 7:00 AM to 9:00 AM, the broadcasts have maintained a format including a News Summary, segments related to Sports, Weather, Interviews, and Features. Throughout its long run, hosts of "The Today Show" have included Dave Garroway (1952- July 7, 1961), John Chancellor / Frank Blair (July 17, 1961-1962), Hugh Downs (1962-1971), Frank McGee (1971-1974), Jim Hartz (1974-1976), Tom Brokaw (1976-1981), Jane Pauley, Bryant Gumbel, Chris Wallace, Katie Couric, and others. NOTE: From 1958 to the middle of 1961 THE TODAY SHOW began to video tape a day in advance. The exception was live coverage of news segments, and the weather. This entire show was devoted to a preview of the upcoming broadway show, "KICKS & COMPANY."
1961-03-29, WNBC, 52 min.
Gary Cooper narrates the story of the American West between 1840 and 1900. The accent is on the "real"... the people, the land and the hardships that wed one to the other. Score by Robert Russell Bennett. Produced and directed by Donald B. Hyatt, and written by Philip Reisman, Jr.#19135: PROJECT 20: THE REAL WEST
Order1961-03-29, WNBC, 52 min.
Gary Cooper narrates the story of the American West between 1840 and 1900. The accent is on the "real"... the people, the land and the hardships that wed one to the other. Score by Robert Russell Bennett. Produced and directed by Donald B. Hyatt, and written by Philip Reisman, Jr. Duplicate of #77.
1961-04-07, WNBC, 50 min.
Mitch Miller and his chorus with guests Guy Mitchell, Louise O'Brian and Leslie Uggams sing tunes from the 1904 St. Louis World's Fair.#4537: SING ALONG WITH MITCH
Order1961-04-07, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#7399: SING ALONG WITH MITCH
Order1961-04-07, NBC, 00 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series. A 1952 Style "Hit Parade" Is The Theme.
#7255: LAWRENCE WELK SHOW, THE
Order1961-04-08, WABC, ?? min.
THE "MUSIC OF FRANCE" SHOW. July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-04-11, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-04-12, , min.
Russians launch astronaut into orbit. On this day Soviet cosmonaut Yuri Alekseyevich Gagarin became the first human being to travel into space aboard spacecraft Vostok, which orbited the Earth at a maximum altitude of 187 miles. During the flight the 27 year old test pilot and industrial technician also became the first man to orbit the planet, a feat accomplished by his space capsule in 89 minutes. In total Gagarin was in space for one hour and 48 minutes.
1961-04-15, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. “A tune needs a rhythmic pattern – unless you’re singing in the bathtub. How else will you know when to tape your feet?” So asks Mr. Morath at the beginning of this program. He spends the rest of the half hour explaining all the different rhythmic patterns used in ragtime music. Using delightful examples and the rhythm section of a band to illustrate his points, he distinguishes between 2/4, ¾ and 6/8 time, between largo, allegretto, and other tempos, and he shows how the rhythm of a song can change its whole feeling. The foot-tapping part of a song is just as important as the words or the harmonies, and this program explores how the foot-tapping part is composed. Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
#13542: JACK BENNY PROGRAM, THE
Order1961-04-16, CBS, min.
October 28th, 1950- September 15th, 1964 (CBS) September 25th,1964-September 10th, 1965 (NBC) Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston. Jack's guest is Peter Lawford.
1961-04-17, , min.
Cuban invasion attempt- 1400 Cuban exiles launched a botched invasion at the Bay of Pigs on the south coast of Cuba.
1961-04-17, ABC, 60 min.
- Steve Allen
- Billy Wilder
- Bobby Darin
- William Wyler
- Shirley Jones
- Bob Hope
- Tony Randall
- Tony Curtis
- Greer Garson
- Burt Lancaster
- Shirley Temple
- Yul Brynner
- Janet Leigh
- Audrey Hepburn
- Elizabeth Taylor
- Jayne Meadows
- Tony Martin
- Cyd Charisse
- Jimmy Stewart
- Gina Lollobrigida
- Tina Louise
- Sandra Dee
- Kitty Carlisle
- Eric Johnson
- Hugh Griffin
- Moss Hart
Bob Hope is the host for the 33rd Annual Academy Award ceremonies telecast from the Santa Monica Civic Auditorium in Santa Monica, California. This was the first time that ABC television broadcasted the awards. "The Apartment" took the award for best picture, Elizabeth Taylor won the best actress award for her performance in "Butterfield 8", Best actor award went to Burt Lancaster for "Elmer Gantry," Billy Wilder won best director award for "The Apartment," and Shirley Jones took best supporting actress for "Elmer Gantry." Duplicate of 13544. Joined in progress.
#13547: GARRY MOORE SHOW
Order1961-04-18, WCBS, min.
September 30th, 1958-June 16th, 1964 The Garry Moore variety series made a star out of Carol Burnett,brought back Allen Funt's Candid Camera and showcased many fine musical and comedic talents from 1958-1964. The highlight of most shows was "That Wonderful Year," consisting of film clips, comedy sketches, and production numbers based on the events and styles of a given year. Regulars: Garry Moore, Carol Burnett (1959-1962), Dorothy Loudon (1962-1964), Allen Funt (1959-1960, Durward Kirby (1958-1964), and Marion Lorne (1958-1962). Guest is Bob Newhart. The opening and stand-up comedy by Newhart is heard.
#4538: SING ALONG WITH MITCH
Order1961-04-21, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.1961-04-22, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. This program deals largely with those years after 1911, when “America jumped, not headlong but feet first, into a dance mania,” as Max Morath puts it. How many people remember the “Grizzly Bear,” the “Kangaroo Dips,” the “Lama Duck,” or the most famous one of all, the “Turkey Trot?” Mr. Morath plays the music which sent ragtime America dance-crazy, and the steps themselves, complicated or simple, exhausting or romantic, are danced by the Cornick dance team. The progression form the strenuous and difficult waltzes and schottische, to the simpler, less exhausting two-steps, to finally, the more elaborate tangos; the growth of dance halls, tea dances, and, incidentally, cocktail parties; the dances left over from the Ragtime Era which we’re still dancing – these are the topics of this program. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-04-23, WNBC, 54 min.
December 8, 1957-June 18, 1961. Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." Presented on "THE CHEVY SHOW." which was also a weekly summer replacement for "The Dinah Shore Chevy Show" in 1958 and 1959. June 22, 1958 to September 27, 1959, with rotating hosts Janet Blair, John Raitt and Edie Adams. The format was a mixed bag of popular and classical music, skits and monologues. During the summer run of 1959 (June 7, 1959 to September 27, 1959), Blair and Raitt returned as co-hosts. Dorothy Kirsten appeared during both seasons. Live musical with interesting premise. Seems things are in a miserable state of Earth, so a heavenly messenger is sent down to deliver a "commercial" over a world-wide television network. The angel tells his viewers that their lives can be free from worries about such trivial maters as money and health. He announces he'll prove his point by showing a day in the life of young Kathy Hewitt, assisted by himself as her guardian angel. Janis Paige sings, "Too Old," and joins Craig Stevens in "Dancing in a Dream." Axel Stordahl conducts the orchestra.
1961-04-23, WNBC, 54 min.
December 8, 1957-June 18, 1961. Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." Presented on "THE CHEVY SHOW." which was also a weekly summer replacement for "The Dinah Shore Chevy Show" in 1958 and 1959. June 22, 1958 to September 27, 1959, with rotating hosts Janet Blair, John Raitt and Edie Adams. The format was a mixed bag of popular and classical music, skits and monologues. During the summer run of 1959 (June 7, 1959 to September 27, 1959), Blair and Raitt returned as co-hosts. Dorothy Kirsten appeared during both seasons. Live musical with interesting premise. Seems things are in a miserable state of Earth, so a heavenly messenger is sent down to deliver a "commercial" over a world-wide television network. The angel tells his viewers that their lives can be free from worries about such trivial maters as money and health. He announces he'll prove his point by showing a day in the life of young Kathy Hewitt, assisted by himself as her guardian angel. Janis Paige sings, "Too Old," and joins Craig Stevens in "Dancing in a Dream." Axel Stordahl conducts the orchestra.
#13559: JACK BENNY PROGRAM, THE
Order1961-04-23, CBS, min.
October 28th, 1950- September 15th, 1964 (CBS) September 25th,1964-September 10th, 1965 (NBC) Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston. Jack's guest is Oscar Levant.
#7256: LAWRENCE WELK SHOW, THE
Order1961-04-29, WABC, ?? min.
July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-04-29, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. The Ragtime Era, says Max Morath, ended with the end of World War I. He devotes a large part of this final program to a description, in words and music, of America’s part before, during and after the war. Our unwillingness, and our unpreparedness, then our desperate efforts to arm and to persuade our people that it was right to arm, our soldiers’ views of the war, and our reactions to the end of the war – all these reflected in the songs of the period, the songs which put an end to the Ragtime Era Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-05-15, NBC, min.
July 29, 1957- March 30,1962. (NBC). For four years and eight months, Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times, and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, news bulletin on the "Explorer I" satellite, launched today. Guest Host: Jonathan Winters. Guests: Cliff Arquette, Frank Vernon. Frank sings "Day In, Day Out."
#7250K: LAWRENCE WELK SHOW, THE
Order1961-05-27, WABC, ?? min.
July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-05-29, NBC, min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack comments on the tractor for prisoner trade, Guest Milt Kamen does a stand-up routine.
1961-06-12, NBC, min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. The show's opening. Jonathan Winters is in the audience.
#7257: LAWRENCE WELK SHOW, THE
Order1961-06-17, WABC, ?? min.
"When Frances dances with me" is highlighted. July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
#7353: PLAYBOY'S PENTHOUSE
Order1961-06-18, SYND, 00 min.
October 24th,1959-1961. Playboy's Penthouse was an American talk/variety television program hosted by Playboy founder Hugh Hefner. First broadcast on October 24th, 1959, it ran in syndication for two seasons. The show was recorded at the studios of WBKB-TV in Chicago.
#7258: LAWRENCE WELK SHOW, THE
Order1961-06-24, WABC, ?? min.
A "Musical Welcome to Summer," show. July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-07-05, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986. Repeat Of 4-15-61 Program
1961-07-05, NBC, 45 min.
July 29, 1957- March 30,1962. Joined in Progress, Sam Levinson substitutes for Jack Paar on The Tonight Show (one of ten times he hosted). His guests are Carmel Quinn who sings, Comic Dave Astor who does a stand-up routine, and Isaac Stern who chats and plays violin. *FOR THE RECORD, as archivists are aware, most of THE JACK PAAR TONIGHT SHOW SERIES which were broadcast on NBC TV from July 29, 1957 thru March 30, 1962 (A final BEST OF PAAR rerun originally televised November 21, 1961...guest Jack Benny) were ERASED, DESTROYED OR WHEREABOUTS UNKNOWN. 2" Quadruplex Video Tape was expensive ($400 for a one hour reel), weighting 26 pounds, requiring great storage space. Video Tape could easily be erased and was used for new program recordings...retained briefly for a re-run and then erased or discarded. Legend has it that even Jack Paar himself hired a junk man to come to his home garage and paid to have JACK PAAR TONIGHT SHOW recordings discarded (reels of kinescopes and video tapes) that were now cluttering up his space. During this era in television history archiving television programming was not a primary concern or vision, and considered an arcane pursuit. THE LIBRARY OF CONGRESS retains in their archive only 4 program excerpts accounting for only one hour or material of JACK PAAR TONIGHT SHOWS (November 14, 1958, December 23, 1959, October 19, 1959, and one 33&1/3rd audio disc promotional from 1957 presenting Jack Paar the new host of the TONIGHT SHOW. THE PALEY CENTER FOR MEDIA retains in their archive only 7 program excerpts accounting for only four and a quarter hours of material (July 29, 1957, November 1, 1957, November 7, 1958, November 10, 1958, November 14, 1958, July 22, 1959, December 21, 1959). UCLA FILM & TV ARCHIVE retains in their archive only 8 program excerpts accounting for only seven hours of material (August 12, 1957, November 1, 1957, November 10, 1958, November 11, 1958, November 14, 1958, July 22, 1959, December 21, 1959). For over 62 years Phil Gries, creator and owner of ARCHIVAL TLEVISION AUDIO, Inc. has continued to be a passionate television audio archive collector. TRULY UNIQUE TODAY AS AN INDEPENDENT TV AUDIO ARCHIVE. Currently, in 2021, to date, ATA has collated and archived over 20,000 TV Audio Air Checks representing 20,000 hours of sound...tens of thousands of broadcasts which represent the ONLY SURVIVING BROAADCAST RECORD OF A SPECIFIC TELEVISION SHOW (1946-1982). ARCHIVAL TELEVISION AUDIO, INC. retains over 70 complete and excerpt JACK PAAR TONIGHT SHOW air checks (34 hours), including the complete Jack Paar's first anniversary telecast which was broadcast live from Havana Cuba (June 28, 1958). These originally recorded off the air pristine sound direct line 1/4" reel to reel audio tracks, recorded at the time of the original broadcasts, represent the only broadcast record of a "lost" visual telecast. ATA is the largest single repository (one collection), in the United Sates of Jack Paar Tonight Shows recordings. The combined archives of The Library of Congress, Paley Center for Media, and UCLA Film & Television only retain a composite total of 13 hours of representative JACK PAAR TONIGHT SHOW broadcasts excerpts...none complete. For four years and eight months Jack Paar reigned supreme as host of the TONIGHT SHOW with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melis, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conreid, Peggy Cass, Cliff (Charley Weaver) Arquette, and Jonathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host. There were 20 different substitute hosts for Paar over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. All together there were 243 broadcasts which had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first video-taped broadcast aired on January 5, 1959. The final LIVE broadcast aired on July 3, 1959. "Best of Paar " Re-runs began on July 10,1959. Beginning July 20, 1959 Jack Paar began taking off Monday nights & guest hosts would substitute for him (approximately on alternate Mondays). The first color broadcast aired on September 19, 1960. Theme music, "Everything is Coming Up Roses" was first used beginning in the Fall of 1959. Location broadcast telecasts of the program telecast away from the Hudson Theater in New York City occurred 14 times during this series run. Jan. 13-17, 1958 Miami Beach, Florida July 28, 1958 Havana, Cuba Nov. 3-21, 1958 Hollywood, California March 2-20, 1959 Hollywood, California Nov. 10-12, 1959 Nassau, Bahamas (Video Tape) Nov. 30- Dec. 10, 1959 Hollywood, California March 28-April 1, 1960 London, England (Video Tape) Nov.9-11, 1960 Hawaii (Video Tape) - b&w Nov.14-24, 1960 Hollywood, California March 21-24, 1961 London, England (Video Tape) Sept. 12-14, 1961 West Berlin (Video Tape) Nov. 14-17, 1961 Hollywood, California (Tape) Nov. 21-24, 1961 Hollywood, California (Tape) March 13-16, 1962 London, England (Video Tape) OBSERVATION: Listening to the few extant audio air check COMPLETE JACK PAAR TONIGHT SHOW broadcasts, as originally televised, AND RECORDED DIRECT LINE RESULTING IN PRISTINE PLAYBACK SOUND, retains the essence and specialty which Jack Paar was able to convey as host of his late night talk show. He set the standard for how the TONIGHT SHOW STARRING JACK PAAR format evolved, including introducing the standard monologue at the beginning of every show, which continues to evolve to this day...however, sans the whit, charm, warmth, ease, unpredictability, vulnerability, pace and controversy which Paar brought to TV audiences at night. Jack Paar was stellar, and he is sorely missed by most Baby Boomers who remember watching him in real time. Mostly forgotten by todays' younger audiences Jack Paar needs to be re-evaluated at length to place him royally as one of the most, if not the most, important LATE NIGHT HOSTS IN THE HISTORY OF LATE NIGHT TELEVISION. Interestingly, current documentaries examining the history of Late Night television, including the current CNN 6 hours retrospective on the subject THE STORY OF LATE NIGHT (2021), relegates only 15 minutes of screen time to Jack Paar's contributions as one of many late night hosts.
1961-07-06, NBC, 15 min.
July 29, 1957- March 30,1962. Joined in Progress, Sam Levinson substitutes for Jack Paar on The Tonight Show (one of ten times he hosted). His guest is eleven year old child musician prodigy, Joey Alfidi who plays two compositions for the audience in the studio and at home. NOTE: Final TV appearance by Joey Alfidi on television. *FOR THE RECORD, as archivists are aware, most of THE JACK PAAR TONIGHT SHOW SERIES which were broadcast on NBC TV from July 29, 1957 thru March 30, 1962 (A final BEST OF PAAR rerun originally televised November 21, 1961...guest Jack Benny) were ERASED, DESTROYED OR WHEREABOUTS UNKNOWN. 2" Quadruplex Video Tape was expensive ($400 for a one hour reel), weighting 26 pounds, requiring great storage space. Video Tape could easily be erased and was used for new program recordings...retained briefly for a re-run and then erased or discarded. Legend has it that even Jack Paar himself hired a junk man to come to his home garage and paid to have JACK PAAR TONIGHT SHOW recordings discarded (reels of kinescopes and video tapes) that were now cluttering up his space. During this era in television history archiving television programming was not a primary concern or vision, and considered an arcane pursuit. THE LIBRARY OF CONGRESS retains in their archive only 4 program excerpts accounting for only one hour or material of JACK PAAR TONIGHT SHOWS (November 14, 1958, December 23, 1959, October 19, 1959, and one 33&1/3rd audio disc promotional from 1957 presenting Jack Paar the new host of the TONIGHT SHOW. THE PALEY CENTER FOR MEDIA retains in their archive only 7 program excerpts accounting for only four and a quarter hours of material (July 29, 1957, November 1, 1957, November 7, 1958, November 10, 1958, November 14, 1958, July 22, 1959, December 21, 1959). UCLA FILM & TV ARCHIVE retains in their archive only 8 program excerpts accounting for only seven hours of material (August 12, 1957, November 1, 1957, November 10, 1958, November 11, 1958, November 14, 1958, July 22, 1959, December 21, 1959). For over 62 years Phil Gries, creator and owner of ARCHIVAL TLEVISION AUDIO, Inc. has continued to be a passionate television audio archive collector. TRULY UNIQUE TODAY AS AN INDEPENDENT TV AUDIO ARCHIVE. Currently, in 2021, to date, ATA has collated and archived over 20,000 TV Audio Air Checks representing 20,000 hours of sound...tens of thousands of broadcasts which represent the ONLY SURVIVING BROADCAST RECORD OF A SPECIFIC TELEVISION SHOW (1946-1982). ARCHIVAL TELEVISION AUDIO, INC. retains over 70 complete and excerpt JACK PAAR TONIGHT SHOW air checks (34 hours), including the complete Jack Paar's first anniversary telecast which was broadcast live from Havana Cuba (June 28, 1958). These originally recorded off the air pristine sound direct line 1/4" reel to reel audio tracks, recorded at the time of the original broadcasts, represent the only broadcast record of a "lost" visual telecast. ATA is the largest single repository (one collection), in the United Sates of Jack Paar Tonight Show recordings. The combined archives of The Library of Congress, Paley Center for Media, and UCLA Film & Television only retain a composite total of 13 hours of representative JACK PAAR TONIGHT SHOW broadcasts excerpts...none complete. For four years and eight months Jack Paar reigned supreme as host of the TONIGHT SHOW with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melis, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conreid, Peggy Cass, Cliff (Charley Weaver) Arquette, and Jonathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host. There were 20 different substitute hosts for Paar over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. All together there were 243 broadcasts which had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first video-taped broadcast aired on January 5, 1959. The final LIVE broadcast aired on July 3, 1959. "Best of Paar " Re-runs began on July 10,1959. Beginning July 20, 1959 Jack Paar began taking off Monday nights & guest hosts would substitute for him (approximately on alternate Mondays). The first color broadcast aired on September 19, 1960. Theme music, "Everything is Coming Up Roses" was first used beginning in the Fall of 1959. Location broadcast telecasts of the program telecast away from the Hudson Theater in New York City occurred 14 times during this series run. Jan. 13-17, 1958 Miami Beach, Florida July 28, 1958 Havana, Cuba Nov. 3-21, 1958 Hollywood, California March 2-20, 1959 Hollywood, California Nov. 10-12, 1959 Nassau, Bahamas (Video Tape) Nov. 30- Dec. 10, 1959 Hollywood, California March 28-April 1, 1960 London, England (Video Tape) Nov.9-11, 1960 Hawaii (Video Tape) - b&w Nov.14-24, 1960 Hollywood, California March 21-24, 1961 London, England (Video Tape) Sept. 12-14, 1961 West Berlin (Video Tape) Nov. 14-17, 1961 Hollywood, California (Tape) Nov. 21-24, 1961 Hollywood, California (Tape) March 13-16, 1962 London, England (Video Tape) OBSERVATION: Listening to the few extant audio air check COMPLETE JACK PAAR TONIGHT SHOW broadcasts, as originally televised, AND RECORDED DIRECT LINE RESULTING IN PRISTINE PLAYBACK SOUND, retains the essence and specialty which Jack Paar was able to convey as host of his late night talk show. He set the standard for how the TONIGHT SHOW STARRING JACK PAAR format evolved, including introducing the standard monologue at the beginning of every show, which continues to evolve to this day...however, sans the whit, charm, warmth, ease, unpredictability, vulnerability, pace and controversy which Paar brought to TV audiences at night. Jack Paar was stellar, and he is sorely missed by most Baby Boomers who remember watching him in real time. Mostly forgotten by todays' younger audiences Jack Paar needs to be re-evaluated at length to place him royally as one of the most, if not the most, important LATE NIGHT HOSTS IN THE HISTORY OF LATE NIGHT TELEVISION. Interestingly, current documentaries examining the history of Late Night television, including the current CNN 6 hours retrospective on the subject THE STORY OF LATE NIGHT (2021), relegates only 15 minutes of screen time to Jack Paar's contributions as one of many late night hosts.
1961-07-12, WNBC, 12 min.
Dean Miller interviews Bob Barker who discusses his family, marriage to Dorothy Jo...their decision one day on the beach in Florida to purchase a camper and move to California where Bob could further his career in radio and television. Bob talks about his lucky break in 1956 meeting Ralph Edwards and being given an opportunity to host the daytime version of Truth of Consequences. Dorothy Jo joins in on the conversation and talks about her love of animals and her current occupation breeding basset hounds. She also looks back to the day when she and Bob were married in 1945,