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9275 records found for 2
1961-02-03, WNBC, 52 min.
- Carol Lawrence
- Polly Bergen
- Roberta Peters
- Russell Arms
- Donald Voorhees
- Paul Whiteman
- Jorge Bolet
- Kelly Brown
- Theodor Uppman
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.1961-02-04, WINS, 3 min.
1010 WINS RADIO New York switched from top forty to the first successful all-news station April 19, 1965. Previously when WINS was one of four premiere New York Rock 'N' Roll radio stations only a few snippets of on the half hour five minute Dick Waffle "Newswatch" broadcasts are known to exist. This rare audio was recorded by Phil Gries at 10:55 AM from his Brooklyn New York home on Saturday morning, February 4, 1961. Dick Waffle reports at the "Newswatch." Waffle reports initial bulletins reporting the blizzard of '61. This third "knockout" blizzard of the winter accounted for a 17 consecutive day of temperatures below freezing, the longest in New York history. We also hear the 1010 WINS sign off as the WINS announcer reports that the next news bulletins will be heard will be at 11:25 AM. NOTE: The Blizzard of February 3 - 4, 1961 The storm, U.S. HEAVIEST SNOW STORM SINCE 1947 tied up the Northeast coast. It occurred toward the end of an extended cold snowy period that brought the temperature in New York's Central Park down to -2 (2 degrees below zero) on the morning of February 2nd. The storm reached blizzard proportions throughout much of the northeast and winds at LaGuardia airport gusted over 80 miles per hour on the 4th. Snowfall totals exceeded 20 inches over much of the region. Falling on top existing snow cover, including that left over from the "Kennedy inaugural" snowstorm on the 19-20th of January, the aftermath of the storm found near record snow cover over the region ranging from 2 to 2 1/2 feet in and around New York City up to nearly 4 feet around Newburg, New York. Snow began falling on the evening of February 3rd 1961, dumping six inches and continued through the morning of the 4th, with an additional 11.4 inches of snow piling up. The snow that fell on February 4th was heavy and wet and was driven by gale force winds. This was the third major snowstorm of the winter, following 15.4 inches on December 11th and 12th 1960, and 9.9 inches of snow recorded on January 19th and 20th. However, those storms were characterized by very cold temperatures while this storm saw temperatures rise from the upper 20's to the mid 30's during the afternoon of the 4th when the snow changed to rain. This was the second winter in a row to have two snowstorms of one foot or more.
1961-02-08, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986.
#5417: REMEMBER HOW GREAT
Order1961-02-09, WNBC, 52 min.
Jack Benny hit radio in 1932. A lot of songs have come through the mill since then, and tonight Benny is host for a look-see at some of them.#4533: SING ALONG WITH MITCH
Order1961-02-10, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#10173: "THE RAGTIME ERA"
Order1961-02-11, WOR, 30 min.
A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. We hum ragtime tunes quite casually today, unaware, as Mr. Morath points out, that ragtime was once a national issue, and that the musicians’ union once passed a resolution censuring this type of music. Mr. Morath explains why ragtime was more than just another kind of tune. He tells of its origins and the men who first wrote it: Scott Joplin, the author of Maple Leaf Rag; John Stark, the first publisher of good ragtime music; James Scoot and others. He defines ragtime, syncopation, polyrhythm, and improvisation. He speaks of the player piano, the importance of the ragtime composer who wrote his music down, and the spread of ragtime across the nation by the end of the first decade of the twentieth century. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series, "The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War In this opening episode presented on February 11th, 1961, pianist Max Morath presents music from the Mauve Decade, the 1890's. A retrospective trip back in time exploring music of the 1890s, also called "The Gay Nineties" or "Naughty Nineties." Note: Max Morath passed away on June 19th, 2023 at age 96.
1961-02-14, WQXR, 50 min.
- Robert Russell Bennett
- Alan Jay Lerner
- Frederick Loewe
- Samuel Liff
- Franz Allers
- Stanley Holloway
- Rex Harrison
- Julie Anderson
- Philip J. Lang
A salute to Alan Jay Lerner and Frederick Loewe on this Valentine's Day live presentation saluting the play "My Fair Lady." Hosts are Samuel Liff, stage production manager for the original Broadway production and conductor Franz Allers, who also performed during the Broadway "My Fair Lady" debut. Musical selections are played from the British and American productions. They include "I Could Have Danced All Night," sung by Julie Andrews, "The Rain in Spain," sung by Julie Andrews and Rex Harrison from the London Production, "With a Little Bit of Luck," sung by Stanley Holloway from the London Production, "The Ascop Gavotte," and "I've Grown Accustomed to her Face," sung by Rex Harrison. Anecdotes and recollections by Franz Allers and Samuel Liff reflect the many transitions experienced for this great classic as the company tours the world three years prior to the making of the motion picture in 1964. NOTE: The musical MY FAIR LADY had its pre-Broadway tryout at New Haven's Shubert Theatre. Then it played for four weeks at the Erlanger Theatre in Philadelphia, beginning on February 15, 1956. The musical premiered on Broadway March 15, 1956, at the Mark Hellinger Theatre in New York City. It transferred to the Broadhurst Theatre and then The Broadway Theatre, where it closed on September 29, 1962, after 2,717 performances, a record at the time. Moss Hart directed and Hanya Holm was choreographer. In addition to stars Rex Harrison, Julie Andrews and Stanley Holloway, the original cast included Robert Coote, Cathleen Nesbitt, John Michael King, and Reid Shelton. Harrison was replaced by Edward Mulhare in November 1957 and Sally Ann Howes replaced Andrews in February 1958. By the start of 1959, it was the biggest grossing Broadway show of all-time with a gross of $10 million. The Original Cast Recording, released on April 2, 1956, was the best-selling album in the United States in 1956. Original London production The West End production, in which Harrison, Andrews, Coote, and Holloway reprised their roles, opened on April 30, 1958, at the Theatre Royal, Drury Lane, where it ran for five and a half years (2,281 performances). Edwardian musical comedy star Zena Dare made her last appearance in the musical as Mrs. Higgins. Leonard Weir played Freddy. Harrison left the London cast in March 1959, followed by Andrews in August 1959 and Holloway in October 1959. MY FAIR LADY won six 1957 TONY awards, including Best Musical, and the Film version released in 1964 with Audrey Hepburn replacing Julie Andrews in the role of Eliza Doolittle won five Oscar awards including Best Actor for Rex Harrison and Best Picture.
1961-02-15, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986. The 2-15-61 program features a short excerpt only.
#7122: THE FORD SHOW
Order1961-02-16, NBC, 00 min.
Variety- NBC - 30 minutes, October 4th, 1956-June 29th, 1961. Tennessee Ernie Ford was host, singer and comedian of this variety show. The musical portion of the program consisted mostly of Country and Western and Gospel music. A special presentation of the opera "Carmen."
1961-02-17, WNBC, 52 min.
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.1961-02-17, WCBS, 20 min.
Guest Art Carney ad libs with Jackie Gleason, who also does a seven minute stand up comedy routine on the subject of "Bob Hope." For two months, Jackie conducted this informal talk show replacing the abortive quiz show "You're in the Picture," which aired only one time (Jan. 20, 1961).1961-02-18, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. We hum ragtime tunes quite casually today, unaware, as Mr. Morath points out, that ragtime was once a national issue, and that the musicians’ union once passed a resolution censuring this type of music. Mr. Morath explains why ragtime was more than just another kind of tune. He tells of its origins and the men who first wrote it: Scott Joplin, the author of Maple Leaf Rag; John Stark, the first publisher of good ragtime music; James Scoot and others. He defines ragtime, syncopation, polyrhythm, and improvisation. He speaks of the player piano, the importance of the ragtime composer who wrote his music down, and the spread of ragtime across the nation by the end of the first decade of the twentieth century. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
#4534: SING ALONG WITH MITCH
Order1961-02-24, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.1961-02-25, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Mr. Morath’s subject for this program is the blues: their origin, their musical form, and the new rhythms involved. Combining musical analysis with some excellent performances by Ernie Douglas singing the blues, Mr. Morath presents a program of musical theory, history, and song. He talks about one of the fathers of the blues, WC Handy, and about the spread of the blues from Memphis to London, England. He gives a picture of music whose importance and popularity still continue, half a century later. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
#6985: BELL TELEPHONE HOUR
Order1961-03-03, WNBC, 00 min.
January 12, 1959-April 26, 1968. This musical series ran semi regularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra. Host:Burl Ives.Salute To London
1961-03-04, WNBC, 52 min.
- Burl Ives
- Donald Voorhees
- Renata Tebaldi
- Fields and Holloway
- The Roberto Iglesias Ballet
- Los Chavales de Espana
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.#7250L: LAWRENCE WELK SHOW, THE
Order1961-03-04, WABC, ?? min.
July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-03-04, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Some songs stay alive despite any changes in taste or style, and a large number of the songs we’re singing now were written in the Ragtime Era. Mr. Morath sings many of them and describes why they have remained so popular for so long. The fact that they were written by musicians who were not professional song writers, the use of a simple pattern of notes, and the rhythms which made them easy to sing made these songs memorable. This program features not only Mr. Morath, but also a barbershop quartet. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
#4535: SING ALONG WITH MITCH
Order1961-03-10, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#7254: LAWRENCE WELK SHOW, THE
Order1961-03-11, WABC, ?? min.
July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
1961-03-11, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Musical comedies broke away from the Viennese operetta in the Ragtime Era, and Mr. Morath spends this program telling about the ancestors of Naughty Marietta, and, later, Oklahoma! and Carousel. Jerome Kern, Irving Berlin, George Gershwin and Cole Porter gained their starts from the impetus of the musical comedies, vaudeville shows and extravaganzas of the Ragtime Era. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-03-13, NBC, 21 min.
July 29, 1957- March 30,1962. Jack Paar speaks vehemently about Ed Sullivan continuously. He explains why Ed Sullivan refused to appear on The Tonight Show. Jack said that Ed wanted to use a teleprompter and to read a prepared statement. Jack said "any idiot can read a teleprompter" and continued to address other grievances about Sullivan including feuds with Joey Bishop who Paar considers as a protege. He ends his address calling Ed Sullivan a liar. NOTE: Highlights of this broadcast unprecedented monologue is the only example of a JACK PAAR TONIGHT SHOW where Jack was a guest on his own show. Hugh Downs opens the 11:15pm opening segment as substitute host, and conducts the show for the first 15 minutes. Jack Paar is introduced at 11:30pm. He then speaks about Ed Sullivan continuously for 51 minutes, only interrupted for commercials. At 12:21am Jack finally finishes his emotional tirade, calling Ed Sullivan a liar! So angry was Paar that he left the show after his monologue, leaving Hugh Downs to finish the show. Archival Television Audio, Inc. has a portion of this memorable historic episode recorded on audio tape related to the never predictable host of The Tonight Show, Jack Paar. THIS BROADCAST WAS THE HIGHEST RATED JACK PAAR TONIGHT SHOW aired during his for four and one half years as host. Occasional variations in sound quality.
1961-03-13, NBC, 21 min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack Paar comments on his feud with Ed Sullivan, bitterly attacks him as well as the press, calls Sullivan a "liar."
1961-03-13, WMCA, 6 min.
Barry Gray was an American radio personality, often referred to as "the father of talk radio." His late-night New York City radio talk show was carried by WOR radio and then later by WMCA. Barry Gray returned to WMCA in 1950, and stayed there for 39 years, refining the talk show format still utilized today. During the 1960s, he was in the odd position of having an 11 p.m.-1 a.m. late night talk show on a station otherwise dominated by Top 40 music and the youth-targeted "Good Guys" disc jockey campaign. But for teenagers who kept their radios on into the night, Gray's show was a window into the high-brow New York culture of the 1940s and 1950s. We hear Jack Paar concluding his Tonight Show NBC TV broadcast stating that Ed Sullivan is a liar and he must suffer publicly for his actions. Paar mentions that he requests NBC not to delete what he has just said when his show, on Tape, is aired this evening. The final five minutes of The Barry Gray Show at 12:55am (March 14, 1961, WMCA Radio) is heard, two hours after Paar's Tonight Show has been broadcast. Ed Sullivan emphatically tells Gray, by phone, that he is not a bully and that Paar can call him any name he desires. Barry Gray's in studio guest Jackie Kannon states his impressions about the Paar/Sullivan feud.
#13527: NEWS, THE (RADIO)
Order1961-03-13, , 4 min.
- Ingemar Johansson
- Floyd Patterson
- Eleanor Roosevelt
- John F. Kennedy
- Richard Nixon
- Willy Brandt
- Belinda Lee
- Robert Fasic
Highlights: Floyd Patterson knocks out Ingemar Johansson, space failure, Kennedy meets with West German Chancellor Willy Brandt, Eleanor Roosevelt encourages President Kennedy to put more women in government, spy trial in England, Richard Nixon has a new job, joining law firm, Brenda Lee, 26, killed in automobile accident, and from the campus at Ohio State University in Columbus Ohio, 65 students have already applied to join the Peace Corp. Chairman of the group is Junior student Robert Fasic who comments on President Kennedy's Peace Corp Program.
1961-03-13, NBC, 44 min.
July 29, 1957- March 30,1962. Jack Paar speaks vehemently about Ed Sullivan continuously. He explains why Ed Sullivan refused to appear on The Tonight Show. Jack said that Ed wanted to use a teleprompter and to read a prepared statement. Jack said "any idiot can read a teleprompter" and continued to address other grievances about Sullivan including feuds with Joey Bishop who Paar considers as a protege. He ends his address calling Ed Sullivan a liar. NOTE: Highlights of this broadcast unprecedented monologue is the only example of a JACK PAAR TONIGHT SHOW where Jack was a guest on his own show. Hugh Downs opens the 11:15pm opening segment as substitute host, and conducts the show for the first 15 minutes. Jack Paar is introduced at 11:30pm. He then speaks about Ed Sullivan continuously for 51 minutes, only interrupted for commercials. At 12:21am Jack finally finishes his emotional tirade, calling Ed Sullivan a liar! So angry was Paar that he left the show after his monologue, leaving Hugh Downs to finish the show. Archival Television Audio, Inc. has a portion of this memorable historic episode recorded on audio tape related to the never predictable host of The Tonight Show, Jack Paar. THIS BROADCAST WAS THE HIGHEST RATED JACK PAAR TONIGHT SHOW aired during his four and one half years as host. Occasional variations in sound quality. Duplicate of 9441.
1961-03-13, NBC, 17 min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack Paar comments on his feud with Ed Sullivan, bitterly attacks him as well as the press, calls Sullivan a "liar." Duplicate of #13525.
1961-03-13, NBC, 27 min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack Paar comments on his feud with Ed Sullivan, bitterly attacks him as well as the press, calls Sullivan a "liar." Paar also discusses leaving the Tonight Show. Duplicate of 13525.
1961-03-14, NBC, 4 min.
July 29, 1957- March 30,1962. More discussion by Jack Paar regarding his feud with Ed Sullivan, the night after delivering a long vitriolic monologue on their feud related to the "debate" that would never happen.
1961-03-14, NBC, 4 min.
July 29, 1957- March 30,1962. For four years and eight months, Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times, and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, news bulletin on the "Explorer I" satellite, launched today. More talk about feud with Ed Sullivan.
1961-03-15, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986.
1961-03-17, WNBC, 52 min.
- Patrice Munsel
- Dr. Frank Baxter
- Donald Voorhees
- Joan Sutherland
- Sir John Gielgud
- Alfred Drake
- Jacques d'Amboise
- Violette Verdy
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.1961-03-17, PBS, 00 min.
John Conte was host for this half hour series of thirty nine easy listening programs, featuring Annunzio Mantovani and his orchestra. This series was produced in England and syndicated in the United States. The program featured a guest star each week. This program debuted in the United States on WNET channel 13 in New York on April 15th, 1961 with singer Dorothy Collins in a salute to the silver screen. Dupe of number 3924.
#7230: JACK BENNY PROGRAM
Order1961-03-19, CBS, 00 min.
October 28th, 1950- September 15th, 1964 (CBS) September 25th,1964-September 10th, 1965 (NBC) Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston. "Jack goes to Las Vegas."
1961-03-22, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986.
1961-03-22, NBC, 58 min.
- Martha Raye
- Kaye Ballard
- Paul Lynde
- Perry Como
- Mitchell Ayres Orchestra
- Ginny Tiu
- Frank Gallop
- Jack Duffy
- Sandy Stewart
- Julie Newmar
December 24th, 1948- June 4th, 1950 (NBC) October 2nd, 1950-June 24th 1955 (CBS) September 17th 1955- June 12th, 1963 (NBC) In 1944, the year his first record was released, Perry Como appeared on radio in The Chesterfield Supper Club; when that show came to television late in 1948, Como came with it, and has remained on television for more than four decades. The Chesterfield Supper Club, which also featured The Mitchell Ayres Orchestra and the Fontane Sisters, was originally seen on Friday nights but soon shifted to a half-hour slot on Sundays, opposite Ed Sullivan's "Toast Of The Town." In the fall of 1950, Como shifted to CBS where he hosted his own show for the next five seasons; the fifteen-minute program was seen Mondays, Wednesdays, and Fridays, following the network news. Also featured were the Mitchell Ayres Orchestra and The Fontane Sisters, together with announcer Frank Gallop. In the fall of 1955 Como returned to NBC, where he hosted a weekly hour show for the next eight years; from 1955 to 1959 it was seen Saturdays and was titled The Perry Como Show. From 1959 to 1963 it was seen on Wednesdays and was titled The Kraft Music Hall. The Mitchell Ayres Orchestra and Frank Gallop were again featured, along with The Ray Charles Singers and The Louis DaPron Dancers (later, The Peter Gennaro Dancers). The Como Music Hall Players included Don Adams, Paul Lynde, Kaye Ballard, Jack Duffy, and Sandy Stewart. Show of 3-22-61. Guests: Actress Julie Newmar, Actress Martha Raye, Child Pianist Ginny Tiu. Commercials included. Announcer Frank Gallop.
#4536: SING ALONG WITH MITCH
Order1961-03-24, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#7398: SING ALONG WITH MITCH
Order1961-03-24, NBC, 00 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
1961-03-25, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. What is Tin Pan Alley? When did it get its start? Max Morath answers these and other questions in the course of an amazing and amusing program devoted to the music business. In the Ragtime Era. Do you realize that “A Bicycle Built for Two” was rejected by American music publishers, and only became popular after it was printed in England? Do you know who invented the phrase “Tin Pan Alley?” What do the names Rosenfeld, Von Tilzer, Berlin, or words like “nickelodeon,” “illustrated song,” or “coon song” mean to you? Did you know that popular music is one of the outstanding examples of the improvement in civil liberties over the past decade? Or that it was ragtime which brought everyday speech and slang into popular songs? In this episode, Max Morath explains how Tin Pan Alley got its name; discusses the rise of the popular song in America; explains the idea of the “Illustrated Song” as an advertising technique for selling songs; discusses the dangers of stereotypes and racism in song and plays a “coon song” from the Rag Time Era; explains the meaning of copyright and gives a brief history on the invention of the gramophone. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-03-28, ABC, 54 min.
January 23, - July 16, 1960. A prime time our-long documentary series hosted by Chet Huntley and Frank McGee. A repeat showing of the special Easter time program first presented on NBC on April 16, 1960; filmed in the Holy Land without actors, it traces the route Jesus took through Jerusalem as he bore the cross to his crucifixion on Calvary. Frank McGee introduces the program. Last years presentation was a part of the World Wide 60 series. Music conducted by Jacques Belasco. Narrated by Alexander Scourby. Norman Rose contributes the biblical voice.
1961-03-28, WNBC, 62 min.
January 14, 1952-Present. First early-morning network program and longest-running daytime series. Created by Sylvester "Pat" Weaver. Telecast Monday thru Friday, 7:00 AM to 9:00 AM, the broadcasts have maintained a format including a News Summary, segments related to Sports, Weather, Interviews, and Features. Throughout its long run, hosts of "The Today Show" have included Dave Garroway (1952- July 7, 1961), John Chancellor / Frank Blair (July 17, 1961-1962), Hugh Downs (1962-1971), Frank McGee (1971-1974), Jim Hartz (1974-1976), Tom Brokaw (1976-1981), Jane Pauley, Bryant Gumbel, Chris Wallace, Katie Couric, and others. NOTE: From 1958 to the middle of 1961 THE TODAY SHOW began to video tape a day in advance. The exception was live coverage of news segments, and the weather. This entire show was devoted to a preview of the upcoming broadway show, "KICKS & COMPANY."
1961-03-31, WNBC, 52 min.
- John Raitt
- Martha Wright
- Donald Voorhees
- Birgit Nilsson
- The Brothers Four
- Paul Hartman
- Allegra Kent
- Schola Cantorum
- Tommy Rall
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.1961-04-05, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986.
#7456: VIDEO VILLAGE
Order1961-04-06, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#7457: VIDEO VILLAGE
Order1961-04-06, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#4537: SING ALONG WITH MITCH
Order1961-04-07, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.#7399: SING ALONG WITH MITCH
Order1961-04-07, NBC, 00 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series. A 1952 Style "Hit Parade" Is The Theme.
#7458: VIDEO VILLAGE
Order1961-04-07, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#7255: LAWRENCE WELK SHOW, THE
Order1961-04-08, WABC, ?? min.
THE "MUSIC OF FRANCE" SHOW. July 2, 1955-September 4, 1971; 1971-1982 (Syndicated). "The Lawrence Welk Show" presented middle-of-the-road music for almost three decades. Numbers were performed by the members of Welk's television family. That large group included the Lennon Sisters (Dianne, Peggy, Kathy and Janet), Alice Lon, Norma Zimmer, Tanya Falan, Arthur Duncan, Joe Feeney, Guy Hovis, Jim Roberts, Ralna English, Larry Hooper, Jerry Burke and former Mouseketeer Bobby Burgess.
#7067: DINAH SHORE CHEVY SHOW
Order1961-04-09, NBC, min.
October 5th, 1956-May,12th, 1963. The Dinah Shore Chevy Show was an American Variety Series, hosted by Dinah Shore and broadcast on NBC from October 5th. 1956- May, 12th,1963. Guests: Polly Bergen, Al Hirt, and Louis Nye.