Search Results
17 records found for Irving Berlin
1949-12-00, WRCA, 35 min.
TEX AND JINX Radio & Television BROADCAST HISTORY: April 22, 1946- February 27, 1959. WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm. In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948. Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.” Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.” In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show. When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003. NOTE:: The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world. Guests: General Lucius Clay, now home in US after Berlin siege. He discusses pull out possibilities in Berlin. Discussion of Bob Hope Christmas show as great moral boosters for servicemen. Clay also talks about his forthcoming retirement after 30 years of military service and soldiers contributions to the rebuilding of Germany. Also, Tex McCrary, in a 12-25-48 interview, talks with Irving Berlin about "The Berlin Diary." Berlin sings "God Bless America" in Berlin with Bob Hope. Says he wrote the song for the Boy and Girl Scouts of America. Interview with Berlin's wife, Ellin Berlin. Jinx interviews General Clay concerning the Berlin airlift. 80,000 German children given a Christmas party. Jinx also talks with 14-year-old Doris who describes her Christmas presents.
1954-10-22, WNBC, min.
TEX AND JINX Radio & Television BROADCAST HISTORY: April 22, 1946- February 27, 1959. WEAF (WNBC, WRCA), New York weekdays at 8:30 A.M. until 1954; at 1:00pm,1954-1955; then at 6:30 and 10:35pm until July 31, 1958, moving briefly to WOR, broadcasting at 2:15pm. In addition to the Kollmars (Dorothy Kilgallen and husband Richard Kollmar) and the Fitzgeralds (Pegeen and husband Ed Fitzgerald), another well-recognized New York couple, newlyweds Tex McCrary and Jinx Falkenburg, added their own bread-and-bacon banter to the local airwaves between 1946 and 1959. Their gabfest, initially Hi Jinx but later revised to Tex and Jinx, was beamed over WEAF which was subsequently re-lettered WNBC and later WRCA. In limited doses, the flagship outlet of the National Broadcasting Company transmitted Meet Tex and Jinx to the whole country during 1947 and 1948. Tex and Jinx devoted most of their airtime to lofty and noble concepts, visitors and sidebars. Tex and Jinx [on WEAF-WNBC-WRCA] were interviewing Bernard Baruch, Margaret Truman, or Ethel Waters…. McCrary built the show on the assumption that the early morning audience was not stupid, as programmers generally assumed; that people in general had fresher minds and were more open to serious topics at the beginning of the day.” Their joint radio venture began in April 1946 just 10 months following their nuptials (June 10, 1945). Launched as a breakfast feature, the series later shifted to afternoons and finally into the evening hours before departing the ether a dozen years afterward. They were branded by one journalist “Mr. Brains and Mrs. Beauty.” In early 1947 NBC put them on its television network as a portion of a Sunday evening quarter-hour dubbed Bristol-Myers Tele-Varieties. “The McCrarys were naturals for TV,” wrote a reviewer, “with their combination of friendly chatter, interviews, and features.” That summer the web awarded them an exclusive Sunday night half-hour format under the appellation At Home with Tex and Jinx. A decade later, in the 1957-58 season, the duo hosted a daytime NBC-TV showcase, The Tex and Jinx Show. When hepatitis sidetracked Falkenburg in 1958 from their broadcast commitments, McCrary carried on solo on their radio show for another couple of years. In the 1980s, however, the couple separated, remaining on genial terms. McCrary died in New York on July 29, 2003 and Falkenburg expired just 29 days later in the same city, on August 27, 2003. NOTE:: The scores of TEX AND JINX SHOWS archived by Archival Television Audio, Inc. were originally obtained as original 16" Electronic Discs from Barry Farber, producer of the show (1957-1959), in 1960 after he had begun his own career in front of the mike at WINS Radio. These discs were subsequently transferred to 1/4" reel to reel tape, and then disposed. These broadcasts are rare and represent the largest known collection of TEX AND JINX extant broadcasts in the world. Today's Guests: Composer Irving Berlin, Dr. Selman Waksman,Cyril Ritchard and India Defence Minister Krishna Menon.#9478: POLLY BERGEN SHOW
Order1957-11-02, NBC, 25 min.
September 21, 1957 - May 31, 1958 Polly Bergen hosted her own variety series for one season. The half-hour show alternated biweekly wit CLUB OASIS and featured the orchestra of Luther Henderson, Jr. The show's theme song, "The Party's Over," was composed by Jule Styne. Tonight's show is a tribute to Irving Berlin. Polly sings, "All Alone,"Alexander's Ragtime Band," and "Simple Melody."
1961-03-11, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Musical comedies broke away from the Viennese operetta in the Ragtime Era, and Mr. Morath spends this program telling about the ancestors of Naughty Marietta, and, later, Oklahoma! and Carousel. Jerome Kern, Irving Berlin, George Gershwin and Cole Porter gained their starts from the impetus of the musical comedies, vaudeville shows and extravaganzas of the Ragtime Era. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon (New Music of the '20s) Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War1961-03-25, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. What is Tin Pan Alley? When did it get its start? Max Morath answers these and other questions in the course of an amazing and amusing program devoted to the music business. In the Ragtime Era. Do you realize that “A Bicycle Built for Two” was rejected by American music publishers, and only became popular after it was printed in England? Do you know who invented the phrase “Tin Pan Alley?” What do the names Rosenfeld, Von Tilzer, Berlin, or words like “nickelodeon,” “illustrated song,” or “coon song” mean to you? Did you know that popular music is one of the outstanding examples of the improvement in civil liberties over the past decade? Or that it was ragtime which brought everyday speech and slang into popular songs? In this episode, Max Morath explains how Tin Pan Alley got its name; discusses the rise of the popular song in America; explains the idea of the “Illustrated Song” as an advertising technique for selling songs; discusses the dangers of stereotypes and racism in song and plays a “coon song” from the Rag Time Era; explains the meaning of copyright and gives a brief history on the invention of the gramophone. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War1961-10-08, WNBC, 54 min.
- Jack Benny
- Joe E. Brown
- Harry S. Truman
- Dick Powell
- Debbie Reynolds
- Danny Kaye
- Frances Langford
- Dwight D. Eisenhower
- Marilyn Monroe
- Bing Crosby
- Merle Oberon
- Irving Berlin
Many stars from Hollywood give tribute to the USO units who since 1942 have entertained troops overseas. They include Dick Powell, Marilyn Monroe, Jack Benny, Debbie Reynolds, Danny Kaye, Merle Oberon, Frances Langford, Joe E. Brown, Harry Truman, Dwight D. Eisenhower and Bing Crosby. Included with these celebrity anecdotes, celebrating this 20th USO anniversary, is a clip of Irving Berlin singing his own song: "Until the Fifth Army Comes Home."1962-03-02, WNBC, 54 min.
See program #909.1962-03-02, WNBC, 54 min.
- John Raitt
- Joe Bushkin
- Ginger Rogers
- Mindy Carson
- The Joe Bushkin Trio
- The NORAD Command Band and Chorus
- Mel Brandt
- Irving Berlin
- Johnny Desmond
- Janet Blair
Ginger Rogers sings, dances and also acts as hostess of this program devoted to the music of Irving Berlin. Other guests are singers John Raitt, Johnny Desmond, Janet Blair, Mindy Carson, the Joe Bushkin Trio instrumental group, the NORAD Command Band and Chorus. Announcer is Mel Brandt. HIGHLIGHTS: John Raitt and Janet Blair sing "You're Just in Love". Joey Bushkin Trio perform "The Best Thing For You is Me". Mindy Carson sings "It's a Lovely Day Today". Ginger Rogers and the dancers perform to nostalgic tunes as "Cheek to Cheek" and "Change Partners". The 80 man NORAD band and 36 man ARADCOM chorus are featured on a medley of seven of Irving Berlin's patriotic tunes, "This is the Army, Mr. Jones" and such. The finale includes all 122 with "God Bless America". "Pretty Girl is like a Melody"................................John Raitt "You'd Be Surprised"............................................Mindy Carson "What'll I Do?"......................................................Janet Blair "Play a Simple Melody"............................Janet Blair, John Raitt "Heat Wave"........................................................Joe Bushkin Trio "Easter Parade"....................................................John Raitt ""Let's Face the Music and Dance," "Puttin' On the Ritz," "Steppin' Out with My Baby".................................Ginger Rogers "This is the Army, Mr. Jones," "American Eagles...Band & Chorus1963-09-12, CBS, min.
Leftist students riot at House Un-American Activities Committee investigation into their unauthorized Cuban trip, President Kennedy comments on the support of the war in South Vietnam, Madame Nhu attacks the US, U-Thant says the Vietnam situation is getting worse, Senator Frank Church urges the Diem regime to mend its ways, President Kennedy comments on desegregation in Southern schools, a report from Birmingham-boycotting white students in protest, the Soviet-Chinese dispute continues even on trains crossing their borders, The Kennedys celebrate their 10th wedding anniversary, an interview with songwriter Irving Berlin.
1968-05-05, CBS, 35 min.
June 20, 1948 - May 30, 1971 ED SULLIVAN SHOW, THE, (TOAST OF THE TOWN) Television's longest running variety series. Originally, titled, TOAST OF THE TOWN, the name of the series changed on September 18, 1955 to THE ED SULLIVAN SHOW. Most remembered for introducing many stand-up comedians, and musical acts, including The Rolling Stones, Elvis Presley, The Beatles. Most of the 1,087 broadcasts, encompassing 10,000 performers, have been archived. The major exceptions are the first half-year of shows circa 1948 of which a few kinescope excerpts survive. The ED SULLIVAN SHOW was a spectacular show-case that for twenty-three years entertained the American family. In its prime, more than thirty million viewers, young and old, tuned in at the same time to view popular culture. Tribute to Irving Berlin's 80th birthday. With Bob Hope, and Bing Crosby. Most commercials included.1968-05-05, WCBS, 76 min.
- Bob Hope
- Ed Sullivan
- Robert Goulet
- Harry James
- Bing Crosby
- Fred Waring
- Irving Berlin
- Lyndon B. Johnson
- Ethel Merman
- The Supremes
President Lyndon B. Johnson introduces the show from the White House in Washington D.C. The show expands to 90 min. Joining Ed Sullivan and Irving Berlin are Bob Hope, Bing Crosby, Ethel Merman, The Supremes, Robert Goulet, Fred Waring and Harry James all performing Berlin tunes.#5220: SULLIVAN YEARS, THE
Order1971-10-17, WCBS, 78 min.
- Jack Benny
- Jerry Lewis
- Ed Sullivan
- Alan King
- Elvis Presley
- The Beatles
- Sammy Davis Jr.
- Joan Sutherland
- Irving Berlin
- Shirley Verrett
- Fonteyn and Nureyev
- Wayne and Schuster
- The Moiseyev Ballet
Ed Sullivan is host for a presentation of the most memorable segments from his former series, The Ed Sullivan Show; presenting unique, special or major performances by the most famous performers of past years, including some who made first appearances on the show or were provided with special showcasing; including: Elvis Presley, Jerry Lewis, the Beatles, Nureyev and Fonteyn, the Moiseyev Ballet; Jerry Lewis as a solo, Jack Benny, segments from the show devoted to the music of Irving Berlin, Sammy Davis Jr., Alan King, Wayne and Schuster, Joan Sutherland, Shirley Verrett and many others.#17107: JULIE ANDREWS HOUR, THE
Order1972-10-04, WABC, 10 min.
- Robert Goulet
- Alice Ghostley
- Rich Little
- Julie Andrews
- George Gershwin
- Irving Berlin
- Cole Porter
- Richard Rogers
September 13, 1972-April 28, 1973. Variety hour hosted by musical comedy star Julie Andrews and featuring Alice Ghostley and Rich Little. Salute to George Gershwin, Irving Berlin, Cole Porter, and Richard Rogers.#8763: MERV GRIFFIN SHOW, THE:
Order1976-06-02, SYN, 90 min.
October 1, 1962-March 29, 1963 (NBC); 1965-1969 (Syndicated); August 18, 1969-February 11, 1972 (CBS); 1972-1986 (Syndicated) Salute to Irving Berlin's 88th birthday.#1156: THAT'S HOLLYWOOD
Order1977-00-00, ABC, 22 min.
1977-1980 (Syndicated). Documentary Series consisting of 20th Century-Fox movie clips. Tom Bosley narrates. A salute to Irving Berlin.
1978-08-22, WNBC, 78 min.
A musical tribute to the greatest American composer of all time- Irving Berlin.1979-04-06, , min.
A salute to the famed songwriter Irving Berlin.