June 24, 1956-December 27, 1961.
The multi-talented Steve Allen- musician, composer, singer, comedian,author- was the star of this live weekly variety series that bore a strong resemblance to his informal, late-night Tonight! Show. Although the program had elements of music and serious aspects, comedy was far and away its major component. Steve had with him one of the most versatile and talented collections of improvisational comics ever assembled. Among the features that were used at one time or another on a semi-regular basis were: "Letters to the Editor," "The Allen Report to the Nation," "Mad-Libs," "Crazy Shots," "Where Are They Now," "The Question Man," "The Allen Bureau of Standards," and "The Allen All Stars." The most frequently used feature, and by far the most memorable was the "Man on the Street Interview." It was here that the comics on the show developed their best-remembered characters: Louis Nye as suave, smug Gordon Hathaway, Tom Poston as the man who can't remember his own name, Skitch Henderson as Sidney Ferguson, Don Knotts as the extremely nervous and fidgety Mr. Morrison, Pat Harrington as Italian golf pro Guido Panzini, and Bill Dana as shy Jose Jimenez.
Steve Allen's guest is Bill Dana, (Jose Jimenez)
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
Steve Allen's guests include Jonathan Winters, Phil Harris, Patrice Munsel, and regulars Louis Nye, Pat Harrington Jr., Bill Dana, Don Knotts and Gabe Dell.
June 24, 1956-December 27, 1961.
The multi-talented Steve Allen- musician, composer, singer, comedian,author- was the star of this live weekly variety series that bore a strong resemblance to his informal, late-night Tonight! Show. Although the program had elements of music and serious aspects, comedy was far and away its major component. Steve had with him one of the most versatile and talented collections of improvisational comics ever assembled. Among the features that were used at one time or another on a semi-regular basis were: "Letters to the Editor," "The Allen Report to the Nation," "Mad-Libs," "Crazy Shots," "Where Are They Now," "The Question Man," "The Allen Bureau of Standards," and "The Allen All Stars." The most frequently used feature, and by far the most memorable was the "Man on the Street Interview." It was here that the comics on the show developed their best-remembered characters: Louis Nye as suave, smug Gordon Hathaway, Tom Poston as the man who can't remember his own name, Skitch Henderson as Sidney Ferguson, Don Knotts as the extremely nervous and fidgety Mr. Morrison, Pat Harrington as Italian golf pro Guido Panzini, and Bill Dana as shy Jose Jimenez.
Guests are Phil Harris, Jonathan Winters, and Bill (Jose Jimenez) Dana. Final first run show of the current season, and final show and affiliation with NBC television.
Steve Allen's guests include Diana Dors, Mort Sahl, Jayne Meadows and regulars Louie Nye, Don Knotts, Pat Harrington Jr., Gabe Dell, Dayton Allen and Bill Dana. Everyone bids farewell on this final live show of the four year series.
This program, the last of the series, opens with Allen backstage, where he spots guests preparing for their appearances and talks with bandleader Les Brown. Following this exchange, Diana Dors sings; Allen introduces a repeat showing of the very popular sketch "Wife of Frankenstein," a horror musical starring Jayne Meadows as the bride, Louis Nye as the monstrous groom, and Allen as Dr. Frankenstein; and comedian Mort Sahl does a routine on the upcoming elections, making suggestions about which television shows might be appropriate vehicles for political guest appearances. Later, Allen introduces each of the series regulars and presents them in favorite performances, including Bill Dana as Jose Jimenez; Dayton Allen as Dudley E. Dudley; Pat Harrington as the Great John L., an ex-prizefighter turned restaurant owner; Don Knotts as a weatherman who must ad-lib his report; Gabe Dell as a former star of horror movies; and Louis Nye as Harvey Footlight, ex-Vaudeville star.
The cast then pay tribute to Allen and present a clip of him as sportscaster Bill Allen in which he falls into a laughing fit which makes it hard for him to talk. Finally, each of the regulars does a spot for Plymouth, including Louis Nye as Gordon Hathaway; and the cast gathers backstage for an end-of-series party.
Steve Allen's guests include Diana Dors, Mort Sahl, Jayne Meadows and regulars Louie Nye, Don Knotts, Pat Harrington Jr., Gabe Dell, Dayton Allen and Bill Dana. Everyone bids farewell on this final live show of the four year series.
This program, the last of the series, opens with Allen backstage, where he spots guests preparing for their appearances and talks with bandleader Les Brown. Following this exchange, Diana Dors sings; Allen introduces a repeat showing of the very popular sketch "Wife of Frankenstein," a horror musical starring Jayne Meadows as the bride, Louis Nye as the monstrous groom, and Allen as Dr. Frankenstein; and comedian Mort Sahl does a routine on the upcoming elections, making suggestions about which television shows might be appropriate vehicles for political guest appearances. Later, Allen introduces each of the series regulars and presents them in favorite performances, including Bill Dana as Jose Jimenez; Dayton Allen as Dudley E. Dudley; Pat Harrington as the Great John L., an ex-prizefighter turned restaurant owner; Don Knotts as a weatherman who must ad-lib his report; Gabe Dell as a former star of horror movies; and Louis Nye as Harvey Footlight, ex-Vaudeville star.
The cast then pay tribute to Allen and present a clip of him as sportscaster Bill Allen in which he falls into a laughing fit which makes it hard for him to talk. Finally, each of the regulars does a spot for Plymouth, including Louis Nye as Gordon Hathaway; and the cast gathers backstage for an end-of-series party.
Duplicate of #29.
January 2nd, 1954-May 8th, 1954-NBC
April 2nd, 1957-August 27th, 1957-CBS
August 1st, 1960-Sept 19th, 1960-CBS
July 17th, 1961-Sept 25th, 1961-CBS
Comedy/variety show featuring bandleader Spike Jones and his wife, Helen Grayco.
February 15th, 1958-September 10th, 1960 (ABC)
A half-hour Saturday night rock and roll show hosted by Dick Clark and sponsored by the Beechnut Food Company.
Guests: Fabian and Lloyd Price.
Host: Dick Clark.
Senator John F. Kennedy to meet with Vice President Richard M.Nixon in a television debate, British Prime Minister Harold Macmillan arrives in New York, Khrushchev hopes for a man in orbit, Prime Minister Nehru of India arrives in New York, Egyptian president Nasser visits Castro in Harlem, Khrushchev wants three Russian secretaries in the UN instead of one, Emily Post dies at 86.
Televised on all networks. Frank McGee moderates as the two Presidential candidates exchange views in Cleveland, Ohio. Vice President Richard M. Nixon and Senator John F. Kennedy contrast Republican and Democratic philosophies in this live telecast. Topics include Cuba, V-2 policies, Civil Rights, U.S. prestige, unemployment, the Economy, Red China and the Soviet Union. Guest panelists asking questions on this second great debate are Alvin Spivak, Harold R. Levy, Paul Niven and Edward P. Morgan.
John Wayne taped this wrap party following the completion of filming the movie "The Alamo." Joining Wayne are Richard Widmark, Richard Boone, Linda Cristal, Frankie Avalon, Ken Curtis, Joan O'Brian, Laurence Harvey, Chill Wills, Carlos Aruza, Patrick Wayne, John Nance Gardner, J. Frank Dobie and Lon Tinkle. Dimitri Tiomkin composed and conducted the original score.
WINS newsman Brad Phillips reports of a collision between two airliners (TWA and United) over Staten Island. News of plane disaster that killed 136 people. On-the-spot accounts given by eyewitnesses.
Fires commissioner Edward Cavanagh Jr. states that today's air disaster is the greatest tragedy in American Aviation History. Comments from New York City Mayor Robert Wagner.
On Friday, December 16, 1960 at 10:36 am a plane collided with another plane a mile high in the New York sky. It was the first commercial air disaster o the jet age, killing all 127 passengers, and crew members and five more people on the ground, when one of the airliners crashed in Brooklyn, setting off a seven-alarm fire. It was the worst aviation disaster in American history.
The TWA constellation out of Dayton, Ohio, and bound for La Guardia Airport, broke apart in midair and plummeted into an open field in Staten Island. A United Airlines DC-8 jet out of Chicago, bound for Idlewild Airport, now Kennedy Airport, caught fire and hurtled into Brooklyn at an initial rate of 733 feet per second. The plane sliced through a church, an funeral home and 10 brownstones before sliding to a stop on Seventh Avenue and Flatbush Avenue, Brooklyn.
Investigators ultimately determined United 826 had gone too late into its holding pattern and neither its crew or air traffic control knew exactly where it was. The only survivor was an 11-year old boy on the United jet who was thrown clear of the wreck and landed in a snowbank. The TWA jet crashed 11 miles to the southeast, on Staten Island. It missed several houses by a few hundred feet.
A brief summary of today's crash follows with a report from radio station WMGM.
Aircraft and crews1960 New York mid-air collision:
United Airlines Flight 826 · Trans World Airlines Flight 266
Date December 16, 1960
Summary Mid-air collision
Site About a mile west of Miller Field
40°34′07″N 74°07′19″W
Total fatalities 134
Total injuries 0
Total survivors 0
First aircraft
A jetliner on the apron
The tail assembly of N8013U, the Douglas DC-8-11 involved in the collision
Type Douglas DC-8-11
Name Mainliner Will Rogers
Operator United Airlines
IATA flight No. UA826
ICAO flight No. UAL826
Call sign UNITED 826
Registration N8013U
Flight origin Chicago-O'Hare International Airport (ORD/KORD), IL
Destination Idlewild Airport (IDL/KIDL)(Now John F. Kennedy International Airport), New York City
Occupants 84
Passengers 77
Crew 7
Fatalities 84 (83 initially)
Injuries 0 (1 initially)
Survivors 0 (1 initially)
Second aircraft
A large piston engined airliner taxiing past some large bomber aircraft
N6907C, the Lockheed L-1049A Super Constellation involved.
Type Lockheed L-1049A Super Constellation
Name Star of Sicily
Operator Trans World Airlines
IATA flight No. TW266
ICAO flight No. TWA266
Call sign TWA 266
Registration N6907C
Flight origin Dayton International Airport (DAY/KDAY), Dayton, Ohio
Stopover Port Columbus International Airport (CMH/KCMH), Ohio
Destination LaGuardia Airport KLGA New York
Occupants 44
Passengers 39
Crew 5
Fatalities 44
Survivors 0
Ground casualties
Ground fatalities 6
On December 16, 1960, a United Airlines Douglas DC-8 bound for Idlewild Airport (now John F. Kennedy International Airport) in New York City collided in midair with a TWA Lockheed L-1049 Super Constellation descending toward LaGuardia Airport.[1] The Constellation crashed on Miller Field in Staten Island and the DC-8 in Park Slope, Brooklyn, killing all 128 aboard the two aircraft and six people on the ground. The accident was the world's deadliest aviation disaster at the time, and remains the deadliest accident in the history of United Airlines.
The accident became known as the Park Slope plane crash or the Miller Field crash after the two crash sites. The accident was also the first hull loss and first fatal accident involving a Douglas DC-8.
United Airlines Flight 826, Mainliner Will Rogers, registration N8013U, was a DC-8-11 carrying 77 passengers and seven crewmembers from O'Hare International Airport in Chicago to Idlewild Airport (now John F. Kennedy International Airport) in Queens. The crew consisted of Captain Robert Sawyer (age 46), First Officer Robert Fiebing (40), Flight Engineer Richard Pruitt (30) and four stewardesses: Mary Mahoney, Augustine Ferrar, Anne Bouthen, and Patricia Keller. Captain Sawyer was a highly experienced pilot, having accumulated 19,100 flight hours, of which 344 were in the DC-8. First Officer Fiebing had accumulated 8,400 flight hours, of which 416 were in the DC-8. Flight Engineer Pruitt had accumulated 8,500 flight hours, of which 379 were in the DC-8.
Trans World Airlines Flight 266, Star of Sicily, registration N6907C,[7] was a Super Constellation carrying 39 passengers and five crew members from Dayton and Columbus, Ohio, to LaGuardia Airport in Queens. The crew consisted of Captain David Wollam (age 39), First Officer Dean Bowen (32), Flight Engineer LeRoy "Lee" Rosenthal (30) and two stewardesses, Margaret Gernat and Patricia Post. Captain Wollam had accumulated 14,583 flight hours, 267 of which were in the Constellation. First Officer Bowen had accumulated 6,411 flight hours, of which 268 were on the Constellation. Flight Engineer Rosenthal had accumulated 3,561 flight hours, of which 204 were in the Constellation. Star of Sicily's sister ship N6902C, Star of the Seine, was destroyed in another mid-air collision with a United Airlines flight in 1956.
Background
Flight paths of the two aircraft
At 10:21 a.m. Eastern Time, United 826 advised ARINC radio that one of its VOR receivers was inoperative, and the message was relayed to United Airlines maintenance. However, air-traffic control (ATC) was not informed that the aircraft had only one operational receiver, which presented difficulty for the pilots of flight 826 to identify the Preston intersection, beyond which it had not received clearance.
At 10:25 a.m., ATC issued a revised clearance for the flight to shorten its route to the Preston holding point (near Laurence Harbor, New Jersey) by 12 miles (19 km). That clearance included holding instructions (a standard "racetrack" holding pattern) for Flight 826 when it arrived at the Preston intersection. Flight 826 was expected to reduce its speed before reaching Preston to a standard holding speed of 210 knots (240 mph; 390 km/h) or lower. However, the aircraft was estimated to be traveling at 301 knots (346 mph; 557 km/h) when it collided with the TWA plane, several miles beyond the Preston clearance limit.
During the investigation, United Airlines claimed that the Colts Neck VOR was unreliable. Preston was the point where airway V123—the 050-radial off the Robbinsville VOR—crossed the Solberg 120-degree radial and the Colts Neck 346-degree radial. However, the Civil Aeronautics Board's final report found no problem with the Colts Neck VOR.
The prevailing conditions were light rain and fog, which had been preceded by snowfall.
The crash site of the United Airlines DC-8, United 826, in Park Slope, Brooklyn.
The crash site of the TWA Super Constellation, TWA 266, in Miller Field, Staten Island.
According to the DC-8's flight data recorder, the aircraft was 12 miles (19 km) off course, and for 81 seconds it descended at 3,600 feet per minute (18 m/s) while slowing from more than 400 knots (460 mph; 740 km/h) to 301 knots (346 mph; 557 km/h) at the time of the collision.
One of the DC-8's starboard engines struck the Constellation just ahead of its wings, tearing apart a portion of the fuselage. The Constellation entered a dive, with debris continuing to fall as it disintegrated during its spiral to the ground.
The initial impact tore the DC-8's engine from its pylon. Having lost one engine and a large part of the right wing, the DC-8 remained airborne for another 90 seconds.
The DC-8 crashed into the Park Slope section of Brooklyn at the intersection of Seventh Avenue and Sterling Place (40°40′38″N 73°58′25″W), scattering wreckage and setting fire to ten brownstone apartment buildings, the Pillar of Fire Church, the McCaddin Funeral Home, a Chinese laundry and a delicatessen. Six people on the ground were killed.[12][1]
The crash left the remains of the DC-8 pointing southeast toward a large open field at Prospect Park, blocks from its crash site. An occupant in one of the affected apartment buildings said that his family survived because they were in the only room of their apartment that was not destroyed. The crash left a trench covering most of the length of the middle of Sterling Place. Witnesses thought that a bomb had detonated or that a building's boiler had exploded.
The TWA plane crashed onto the northwest corner of Miller Field at 40.57°N 74.103°W, with some sections of the aircraft landing in New York Harbor. At least one passenger fell into a tree before the wreckage hit the ground.
There was no radio contact with traffic controllers from either plane after the collision, although LaGuardia had begun tracking an incoming, fast-moving, unidentified plane from Preston toward the LaGuardia "Flatbush" outer marker.
Investigation
Front page of Syracuse Post-Standard on 17 December 1960.
The likely cause of the accident was identified in a report by the US Civil Aeronautics Board:
United Flight 826 proceeded beyond its clearance limit and the confines of the airspace allocated to the flight by Air Traffic Control. A contributing factor was the high speed of the United DC-8 as it approached the Preston intersection, coupled with the change of clearance which reduced the en-route distance along Victor 123 by approximately 11 miles (9.6 nmi; 18 km)
Initial survivor
The only person to initially survive the crash was Stephen Baltz, an 11-year-old boy from Wilmette, Illinois. He was traveling unaccompanied on Flight 826 to spend Christmas in Yonkers with relatives. He was thrown from the plane into a snowbank, where his burning clothing was extinguished. Although alive and conscious, he was severely burned and had inhaled burning fuel. Baltz died of pneumonia the next day.
NOTE: A RARE EXTANT 1960 WINS 1010 RADIO AIR CHECK.
September 18, 1960-September 10, 1961. Shirley Temple served as host, narrator & occasional star of a weekly children's anthology series. The show was first seen as a series of 16 specials which aired on ABC (January through December 1958). SEARCH PROGRAM TITLE FOR COMPLETE DETAILS.
A major snowstorm impacts the Northeastern section of the United States. The Mid-Atlantic and New England regions were affected. It was the second of three major snowstorms to impact the Northeast during the winter of 1960-61.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
Mitch Miller and his stout-hearted men present, in their network series debut, a show combining song and dance with a chance for the folks at home to join in on popular favorites. Leslie Uggams and Diana Trask costar. Included is a Mitch Miller sing along commercial for his sponsor Ballentine Beer.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
A 1952 Style "Hit Parade" Is The Theme.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
Highlights: Reports on Russian Cosmonaut Yuri Gagarin, comments by visitors in Moscow, details of launching and orbit, emphasize "the triumph of socialism" in this scientific feat.
Highlights: Moscow prepares gala reception for Major Yuri Gagarin, commentary on space flight boasts of socialism in the triumph of science and engineering, Gagarin relates observation of his flight.
Highlights: Czech president Antonin Novotny sends congratulations to Fidel Castro for his victory over the invaders. Czechs will aid "heroic" Cuban people with equipment. Eichmann's trial continues.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
Montgomery racial crisis, comment on today's news the US supported the invasion of Cuba, comments by Castro on trading prisoners for tractors, comments on "mercenaries for "imperialist invasion."
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the season. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was "The Prop Show" broadcast. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the "Salute To American Cities" broadcast. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
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