September 13, 1965-December 13, 1965. This was the first broadcast of the series. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13th, 1965-December 13th, 1965-(CBS)
Short-lived Monday night variety hour starring Steve Lawrence. Regulars included Charles Nelson Reilly, Betty Walker, The Pussycst Dancers, The Dick Williams Singers, and The Joe Guercio Orchestra. It was taped primarily in New York.
Guest: Lucille Ball. Also appearing, Betty Walker, Charles Nelson Reilly, The Ernie Flatt Dancers, and Judith Lowry.
Series Premiere.
Announcer: Johnny Olson.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
Singer Diahann Carroll, actress-dancer Joey Heatherton, and Jordan Christopher and the Wild Ones join Steve for this show video taped at Sybil and Christopher's place to be, ARTHURS, a discotheque in New York City on 54th Street. Owned by Sybil and 70 other celebrities. The club got its name after Beatle George Harrison was asked "what do you call your hair style?" HIs answer: "Arthur."
Steve and Sybil discuss the evolution of dance and the rise of discotheques. In a studio segment, Steve and Diahann sing "Love is a Simple Thing" and "Love."
The Wild Ones provide rock 'n' roll accompaniment at Arthur.
HIGHLIGHTS
"Any Place I Hang My Hat," "Blues in the Night"..........Dianhann
"Love is Here to Stay," "King of the Road, "I'm in the Mood for Love"...........Steve
"Your Father's Feathers"................Joey
"A Pretty Girl is like a Melody"..................All
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
September 13, 1965-December 13, 1965. Steve Lawrence's Monday-night variety hour lasted only thirteen weeks. Regulars included comics Charles Nelson Reilly and Betty Walker.
January 7, 1966-April 22, 1966. Variety show hosted by Sammy Davis Jr.
Guests: Richard Burton and Elizabeth Taylor. Burton performs a scene from "Camelot."
Series Premiere.
This program explores Ludwig Van Beethoven's role as an emancipator whose innovations and experiments freed music from the rigid formalism of the 18th century. David McCallum is heard as the voice of Beethoven. Script and narration by John H. Secondari.
One in this series of programs which examine significant events in the history of western civilization using dramatic re-creation. This episode examines the life of German composer Ludwig van Beethoven. Performances by the Boston Symphony Orchestra and pianist Claude Frant are featured. As the program opens, the narrator describes the social climate of Vienna and surrounding European countries at the end of the eighteenth century. A discussion follows concerning BeethovenÕs family and his musical education in Bonn.
With his father's guidance, Beethoven performed at age seven, composed his first fugue when he was thirteen, and worked as a court musician by the age of fourteen. However, since the work of a court musician did not allow Beethoven to have adequate creative freedom, Beethoven moved to Vienna (the cultural mecca at that time) after his mother's death, in order to compose his own music. After a short time, he began to gain recognition in aristocratic society, with pieces such as his Opus 1 trios. A discussion follows regarding Beethoven's struggles as a composer, the inspiration he found in nature, as well as his discomfort among the aristocracy.
During Beethoven's period of success he was able to subsist using his commissions. An excerpt of his composition for the Prometheus Ballet is used as an example of his commissioned work, and then there is a discussion about Beethoven's gradual deafness and the music that he composed in spite of or possibly because of his deafness. The program concludes with quotations from Beethoven concerning the connection between art and the human spirit. Other compositions featured in the program include the following: Pathetique Sonata, op.13; Moonlight Sonata, op.15; Piano Concerto no.1; and Symphony no.1,op. 21.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964.
This was the first re-run broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing-Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
Milton Berle guest stars.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing-Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing-Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.
February 5, 1967-June 8, 1969. "The Smothers Brothers Comedy Hour" was a breath of fresh air, but to CBS the Smothers Brothers seemed to be in the wrong place at the wrong time, with the wrong things to say.
Excerpts from previous shows are presented. Dates include 9-24, 10-1, 10-8, 10-15, and 10-22-67.
To search for a broadcast, please e
nter a Show Title, Personality, Airdate, Archive ID, Keyword or Phrase
into the Search textboxes at the top of the page:
PRESERVING & ARCHIVING THE SOUND OF LOST & UNOBTAINABLE ORIGINAL TV (1946 - 1982)
ACCREDITED BY GUINNESS WORLD RECORDS
"Preserving & disseminating important TV Audio Air Checks, the video considered otherwise lost."
-Library of Congress