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9458 records found for 6
1961-03-28, ABC, 54 min.
January 23, - July 16, 1960. A prime time our-long documentary series hosted by Chet Huntley and Frank McGee. A repeat showing of the special Easter time program first presented on NBC on April 16, 1960; filmed in the Holy Land without actors, it traces the route Jesus took through Jerusalem as he bore the cross to his crucifixion on Calvary. Frank McGee introduces the program. Last years presentation was a part of the World Wide 60 series. Music conducted by Jacques Belasco. Narrated by Alexander Scourby. Norman Rose contributes the biblical voice.
1961-03-28, WNBC, 62 min.
January 14, 1952-Present. First early-morning network program and longest-running daytime series. Created by Sylvester "Pat" Weaver. Telecast Monday thru Friday, 7:00 AM to 9:00 AM, the broadcasts have maintained a format including a News Summary, segments related to Sports, Weather, Interviews, and Features. Throughout its long run, hosts of "The Today Show" have included Dave Garroway (1952- July 7, 1961), John Chancellor / Frank Blair (July 17, 1961-1962), Hugh Downs (1962-1971), Frank McGee (1971-1974), Jim Hartz (1974-1976), Tom Brokaw (1976-1981), Jane Pauley, Bryant Gumbel, Chris Wallace, Katie Couric, and others. NOTE: From 1958 to the middle of 1961 THE TODAY SHOW began to video tape a day in advance. The exception was live coverage of news segments, and the weather. This entire show was devoted to a preview of the upcoming broadway show, "KICKS & COMPANY."
1961-03-31, WNBC, 52 min.
- John Raitt
- Martha Wright
- Donald Voorhees
- Birgit Nilsson
- The Brothers Four
- Paul Hartman
- Allegra Kent
- Schola Cantorum
- Tommy Rall
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.1961-04-03, WGN, 00 min.
October 18th, 1959-1966, A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. Percy Faith Conductor.
1961-04-05, NBC, 00 min.
September 12, 1955-June 12, 1963. In the fall of 1955 Perry Como returned to NBC where he hosted a weekly hour show. From 1955 to 1959 it was seen Saturday evenings and was titled "The Perry Como Show." From 1959 to 1963 it was seen Wednesday evenings and was titled "The Kraft Music Hall." Regulars included Frank Gallop and the Ray Charles Singers. After his final weekly June 12, 1963 broadcast Perry Como appeared in scores of specials, beginning October 3, 1963, airing on NBC, CBS & ABC, and concluding on December 6, 1986.
#7456: VIDEO VILLAGE
Order1961-04-06, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#7457: VIDEO VILLAGE
Order1961-04-06, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#4537: SING ALONG WITH MITCH
Order1961-04-07, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.1961-04-07, PBS, 00 min.
John Conte was host for this half hour series of thirty nine easy listening programs, featuring Annunzio Mantovani and his orchestra. This series was produced in England and syndicated in the United States. The program featured a guest star each week. This program debuted in the United States on WNET channel 13 in New York on April 15th, 1961 with singer Dorothy Collins in a salute to the silver screen. Mantovani plays the music of Cole Porter.
#7399: SING ALONG WITH MITCH
Order1961-04-07, NBC, 00 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. This was the first broadcast of the series. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series. A 1952 Style "Hit Parade" Is The Theme.
#7458: VIDEO VILLAGE
Order1961-04-07, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#7067: DINAH SHORE CHEVY SHOW
Order1961-04-09, NBC, min.
October 5th, 1956-May,12th, 1963. The Dinah Shore Chevy Show was an American Variety Series, hosted by Dinah Shore and broadcast on NBC from October 5th. 1956- May, 12th,1963. Guests: Polly Bergen, Al Hirt, and Louis Nye.
#7459: VIDEO VILLAGE
Order1961-04-10, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
#7460: VIDEO VILLAGE
Order1961-04-11, CBS, 00 min.
July 11th, 1960- June 15th, 1962, Daytime July 1st, 1960-September 16th, 1960, Evenings Video Village was an American game show on CBS. It aired in daytime from July 11th, 1960- June 15th, 1962 and in prime time from July 1st, 1960- September 16th, 1960. Jack Narz was the first host and Monty Hall the second. Jack Narz hosted the show from its debut until September 9th, 1960. Red Rowe filled in for one week and was replaced by Monty Hall, who hosted for the remainder of the series.
1961-04-11, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-04-14, WNBC, 52 min.
- Arlene Francis
- The Chad Mitchell Trio
- Donald Voorhees
- Harve Presnell
- Brian Davies
- The Earl Twins
- Ron Husmann
- Jaime Laredo
- Patricia McBride
- Lauri Peters
- Eileen Rodgers
- Paula Stewart
- Edward Villella
- The Metropolitan Opera Auditions Winner
January 12, 1959-April 26, 1968. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.1961-04-15, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. “A tune needs a rhythmic pattern – unless you’re singing in the bathtub. How else will you know when to tape your feet?” So asks Mr. Morath at the beginning of this program. He spends the rest of the half hour explaining all the different rhythmic patterns used in ragtime music. Using delightful examples and the rhythm section of a band to illustrate his points, he distinguishes between 2/4, ¾ and 6/8 time, between largo, allegretto, and other tempos, and he shows how the rhythm of a song can change its whole feeling. The foot-tapping part of a song is just as important as the words or the harmonies, and this program explores how the foot-tapping part is composed. Continuing with his anecdotes and analysis of Tin Pan Alley, Mr. Morath tells about the songs which no one remembers today – how they were chosen, what made theme popular, and why they were forgotten. He tells about the song-plugger, the growth of movies and the illustrated song, the development and decline of the sheet music business, and the importance of new kinds of music and novel ideas. He also speaks about the fascinating and feverish world behind the scenes of the popular music arena of the early 1900s. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
#13542: JACK BENNY PROGRAM, THE
Order1961-04-16, CBS, min.
October 28th, 1950- September 15th, 1964 (CBS) September 25th,1964-September 10th, 1965 (NBC) Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston. Jack's guest is Peter Lawford.
1961-04-17, WGN, 00 min.
October 18th, 1959-1966, A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. Walter Hendl Conductor.
#13547: GARRY MOORE SHOW
Order1961-04-18, WCBS, min.
September 30th, 1958-June 16th, 1964 The Garry Moore variety series made a star out of Carol Burnett,brought back Allen Funt's Candid Camera and showcased many fine musical and comedic talents from 1958-1964. The highlight of most shows was "That Wonderful Year," consisting of film clips, comedy sketches, and production numbers based on the events and styles of a given year. Regulars: Garry Moore, Carol Burnett (1959-1962), Dorothy Loudon (1962-1964), Allen Funt (1959-1960, Durward Kirby (1958-1964), and Marion Lorne (1958-1962). Guest is Bob Newhart. The opening and stand-up comedy by Newhart is heard.
#4538: SING ALONG WITH MITCH
Order1961-04-21, WNBC, 52 min.
January 27, 1961-April 21, 1961; September 28, 1961-September 21, 1964. Home viewers were able to participate in this hour-long musical series, as the lyrics to the songs were superimposed at the bottom of their screens; viewers were invited to "follow the bouncing ball" as it moved from one lyric to the next. Goateed composer-arranger Mitch Miller led the Sing-Along Gang, and on-stage aggregation of about two dozen. Among the featured vocalists were Leslie Uggams, Diana Trask, Barbara McNair, and Gloria Lambert. "Sing Along with Mitch" was introduced on "Ford Startime" in 1960 and had a limited run in the spring of 1961, alternating with "The Bell Telephone Hour," before going weekly in the fall of that year. Reruns were exhumed in the spring of 1966 to replace the faltering "Sammy Davis Jr. Show." Bill Hobin produced and directed the series.1961-04-21, CBS, min.
EYEWITNESS - September 30, 1960 - July 26, 1963 Originally titled "Eyewitness to History" title shortened to "Eyewitness" by the Fall of 1961 ------------------ EYEWITNESS ----------------- 'CBS News' Production US Documentary series 1960-63 30 minute Documentary program Hosted by Charles Kuralt (1960-61) Hosted by Walter Cronkite (1961-1962) Hosted by Charles Collingwood (1962-1963) A CBS special report and analysis on the failure of the Cuban invasion. Host: Walter Cronkite.
1961-04-22, WNTA, 27 min.
This was the "Trip To Paris" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-04-22, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. This program deals largely with those years after 1911, when “America jumped, not headlong but feet first, into a dance mania,” as Max Morath puts it. How many people remember the “Grizzly Bear,” the “Kangaroo Dips,” the “Lama Duck,” or the most famous one of all, the “Turkey Trot?” Mr. Morath plays the music which sent ragtime America dance-crazy, and the steps themselves, complicated or simple, exhausting or romantic, are danced by the Cornick dance team. The progression form the strenuous and difficult waltzes and schottische, to the simpler, less exhausting two-steps, to finally, the more elaborate tangos; the growth of dance halls, tea dances, and, incidentally, cocktail parties; the dances left over from the Ragtime Era which we’re still dancing – these are the topics of this program. Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-04-23, WNBC, 54 min.
December 8, 1957-June 18, 1961. Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." Presented on "THE CHEVY SHOW." which was also a weekly summer replacement for "The Dinah Shore Chevy Show" in 1958 and 1959. June 22, 1958 to September 27, 1959, with rotating hosts Janet Blair, John Raitt and Edie Adams. The format was a mixed bag of popular and classical music, skits and monologues. During the summer run of 1959 (June 7, 1959 to September 27, 1959), Blair and Raitt returned as co-hosts. Dorothy Kirsten appeared during both seasons. Live musical with interesting premise. Seems things are in a miserable state of Earth, so a heavenly messenger is sent down to deliver a "commercial" over a world-wide television network. The angel tells his viewers that their lives can be free from worries about such trivial maters as money and health. He announces he'll prove his point by showing a day in the life of young Kathy Hewitt, assisted by himself as her guardian angel. Janis Paige sings, "Too Old," and joins Craig Stevens in "Dancing in a Dream." Axel Stordahl conducts the orchestra.
1961-04-23, WNBC, 54 min.
December 8, 1957-June 18, 1961. Programs not hosted by Dinah Shore (every 4th week during the season of 1957-58 and 1958-59, more often thereafter until June 1961) were known as "The Chevy Show." Presented on "THE CHEVY SHOW." which was also a weekly summer replacement for "The Dinah Shore Chevy Show" in 1958 and 1959. June 22, 1958 to September 27, 1959, with rotating hosts Janet Blair, John Raitt and Edie Adams. The format was a mixed bag of popular and classical music, skits and monologues. During the summer run of 1959 (June 7, 1959 to September 27, 1959), Blair and Raitt returned as co-hosts. Dorothy Kirsten appeared during both seasons. Live musical with interesting premise. Seems things are in a miserable state of Earth, so a heavenly messenger is sent down to deliver a "commercial" over a world-wide television network. The angel tells his viewers that their lives can be free from worries about such trivial maters as money and health. He announces he'll prove his point by showing a day in the life of young Kathy Hewitt, assisted by himself as her guardian angel. Janis Paige sings, "Too Old," and joins Craig Stevens in "Dancing in a Dream." Axel Stordahl conducts the orchestra.
1961-04-23, , 60 min.
Judy Garland's sputtering career was helped and revitalized through a series of popular concerts. Her conductor for her greatest concert, April 23, 1961 at Carnegie Hall, was Mort Lindsey. The performance was recorded at the time by Capital Records and this live performance won four Grammy Awards. It spent three months at No. 1 on the Billboard top 200. The Carnegie Hall concert was seen by a star-studded audience of 3,000. Lindsey arranged the rousing overture, a snazzy medley of Garland's hits including "The Trolley Song," "Over the Rainbow," and "The Man That Got Away." Garland's throaty renditions of "Puttin' on the Ritz," "I Cant't Give You Anything But Love" and "San Francisco" earned repeated standing ovations and whistles and cheers.
#13559: JACK BENNY PROGRAM, THE
Order1961-04-23, CBS, min.
October 28th, 1950- September 15th, 1964 (CBS) September 25th,1964-September 10th, 1965 (NBC) Jack Benny's half-hour show mixed variety and situation comedy with a company of regulars: Eddie "Rochester" Anderson, announcer Don Wilson, Dennis Day, Mel Blanc, and Mary Livingston. Jack's guest is Oscar Levant.
1961-04-24, WGN, 00 min.
October 18th, 1959-1966, A one hour syndicated taped color weekly broadcast, featuring the Chicago Symphony Orchestra. The series was awarded a Peabody. Superb music by a 71 piece orchestra in the sumptuous setting of a ballroom. Different guest conductors appear on a weekly basis and take the podium. Andre Kostelanetz Conductor.
1961-04-28, WNBC, 52 min.
- Mahalia Jackson
- Robert Preston
- Rosemary Clooney
- Donald Voorhees
- Marilyn Van Derbur
- Marge and Gower Champion
- Zino Francescatti
- Ballet Russe de Monte Carlo
- The Eddie Condon Jazz All-Stars
January 12, 1959-April 26, 1968. This was the final broadcast of the season. This musical series ran semiregularly for almost ten seasons-sometimes weekly, sometimes biweekly, and sometimes as irregularly scheduled specials. All types of music were presented on the hour series; Donald Voorhees conducted the Bell Telephone Orchestra.
1961-04-29, WNTA, 27 min.
This was the "The Music Of Love" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-04-29, WOR, 28 min.
February 11, 1961 - April 19, 1961 A 12-part series produced for the National Educational Television & Radio Center by KRMA-TV, Denver Colorado. The Ragtime Era with host Max Morath, who at the age of 32 is the ideal spokesman. He holds forth at an elegant pianoforte, singing and playing in a lively, authentic style. He' a close student of the period when America's popular music developed, and he sparks the narrative segments with anecdote and erudition that is as bright as the music. The Ragtime Era, says Max Morath, ended with the end of World War I. He devotes a large part of this final program to a description, in words and music, of America’s part before, during and after the war. Our unwillingness, and our unpreparedness, then our desperate efforts to arm and to persuade our people that it was right to arm, our soldiers’ views of the war, and our reactions to the end of the war – all these reflected in the songs of the period, the songs which put an end to the Ragtime Era Episodes in this series cover American pop music from the 1890's to 1920. Included are broadcasts focusing on the Blues, Ragtime, Musical Comedy, Tin Pan Alley, the Mauve Decade, Those Singin' Songs, Movie Music, the Song Pluggers, Tempos of the Time, and the songs made popular during World War 1. From radio to television to national fame as a performer, Max Morath became the recognized purveyor of music and popular culture of the ragtime era. That is the way most people remember Max Morath as “Mr. Ragtime.” In 1959, his epic 12-episode TV series The Ragtime Era, was the first modern educational documentary at KRMA-TV in Denver that both entertained and informed. It ushered in a field now produced by modern documentarians like Ken Burns at Florentine Films. Max wrote, hosted, and performed each 30-minute episode live in one-take and followed that series with other TV projects. He pioneered educational television with his producer Moss Hall and this series helped move the transition from National Educational Television (NET) to the Public Broadcasting System (PBS). Archival Television Audio, Inc. has preserved in its archive ten of the twelve part series. Missing is the sixth broadcast in the series,"The Yankee Doodle Boy," and the ninth broadcast in the series, "Emancipation of Women: New Music of the 20's" With “The Ragtime Era” National Educational Television brings viewers one of the most delightful, and at the same time informative series ever produced. But “The Ragtime Era” is more than a recreation of the music from 1890 to 1920. It is also a careful study of American social history between 1890 and 1920, a period which saw the beginning of the labor movement, modern technical achievements, feminism, the growing importance of Negroes and immigrants. It was a period of activity, unrest, gaiety and real distress. And, finally, “The Ragtime Era” provides the audience with some sound and at the same time uncomplicated, musical theory and analysis. To do all of this KRMA-TV, the Denver affiliate of NET, has drawn on the services of singer-pianist-musician Max Morath, who combines with his performances of ragtime classics a presentation of the pictures, stage sets, and other paraphernalia of “The Ragtime Era.” Episodes: Episode #1: The Mauve Decade Episode #2: Any Rags Today Episode #3: Lonesome Road Episode #4: Those Real Singin’ Songs Episode #5: More Music than Comedy Episode #6: The Yankee Doodle Boy Episode #7: Tin Pan Alley Episode #8: Tin Pan Alley Also Ran Episode #9: June, Moon, and Spoon Episode #10: The Tempos of Our Time Episode #11: Feet First Episode #12: The Great War
1961-05-06, WNTA, 27 min.
This was the "Musical Tribute To France" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-05-08, NBC, 00 min.
President John F. Kennedy greets astronaut Alan B. Shepard at the White House following his historic 15-minute spaceflight on May 5th, 1961.
1961-05-08, NBC, min.
Astronaut Alan B. Shepard holds a press conference following his historic spaceflight on May 5th, 1961.
1961-05-08, , 00 min.
Live press conference with Rear Admiral Alan Bartlett Shepard, the first United States astronaut in space, three days after his historic flight. Duplicate of 6956A.
1961-05-13, WNTA, 27 min.
This was the "Songs Of Irving Berlin" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-05-15, NBC, min.
July 29, 1957- March 30,1962. (NBC). For four years and eight months, Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times, and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, news bulletin on the "Explorer I" satellite, launched today. Guest Host: Jonathan Winters. Guests: Cliff Arquette, Frank Vernon. Frank sings "Day In, Day Out."
1961-05-20, WNTA, 27 min.
This was the "Music Journey" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-05-27, WNTA, 27 min.
This was the "Salute To Modern Composers" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-05-29, NBC, min.
July 29, 1957- March 30,1962. PAAR BEGINS TRACTORS FOR FREEDOM APPEAL. In his monologue Jack Paar urges people to contribute to "Tractors for Freedom." He appeals to all viewers to send money to Detroit for the purchase of tractors. Tractors will then be sent to Cuba in exchange for release of Cuban prisoners. Paar announces that Mrs. Eleanor Roosevelt, founder of the Tractors for Freedom Committee, will be on the show Wednesday night.
1961-05-29, NBC, min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. Jack comments on the tractor for prisoner trade, Guest Milt Kamen does a stand-up routine.
1961-05-30, NBC, min.
The Dominican Republic President Rafael Trujillo is assassinated outside the Dominican capital of Santo Domingo on May 30th, 1961, other news.
1961-06-03, WNTA, 27 min.
This was the "Music Of Dreams" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."1961-06-12, NBC, min.
July 29, 1957- March 30,1962. Jack Paar mentions that today the thermometer reached 96 degrees, the hottest temperature of the year. Very much effected were passengers on New York City subways.
1961-06-12, NBC, min.
July 29, 1957- March 30,1962. For four years and eight months Jack Paar reigned supreme as host of the Tonight Show with a crew of regulars, but only two stayed with him for the entire run; announcer Hugh Downs and band leader Jose Melies, a former army buddy. Familiar faces who appeared many times with Jack included Dody Goodman, Betty Johnson, Elsa Maxwell, Alexander King, Genevieve, Jack Douglas; and wife Reiko, Zsa Zsa Gabor, Hans Conried, Peggy Cass, Cliff (Charley Weaver) Arquette, and Johnathan Winters. Hugh Downs substituted for Jack Paar 79 times, more than any other substitute host there were 20 different performers over the period of the series run. Joey Bishop substituted for Paar 31 times. Arlene Francis, 30 times, Jonathan Winters, 26 times, Orson Bean, 21 times and Johnny Carson 15 times. Altogether there were 243 broadcasts that had substitute hosts filling in for Paar during Jack Paar's TONIGHT SHOW tenure. The title of the late-night broadcast changed to THE JACK PAAR SHOW which took effect on February 3, 1958. The first videotaped broadcast aired on January 5, 1959. "Best of Paar " Re-runs began on July 10, 1959. The first color broadcast aired on September 19, 1960. The show's opening. Jonathan Winters is in the audience.
#13574: NBC NEWS WITH GABE PRESSMAN
Order1961-06-13, WNBC, min.
Highlights: The hottest day of the year in New York City at 96 degrees, ABC and CBS are both down due to a power failure in New York City, the subway is affected as well as the East and West sides, 300 square blocks in all are affected.
1961-06-17, WNTA, 27 min.
This was the "Music For The Young At Heart" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."#7353: PLAYBOY'S PENTHOUSE
Order1961-06-18, SYND, 00 min.
October 24th,1959-1961. Playboy's Penthouse was an American talk/variety television program hosted by Playboy founder Hugh Hefner. First broadcast on October 24th, 1959, it ran in syndication for two seasons. The show was recorded at the studios of WBKB-TV in Chicago.
1961-06-24, WNTA, 27 min.
This was the "Music Of Broadway" broadcast. John Conte was host for this half-hour series of 39 easy listening programs, produced in England and syndicated in the U.S. The program featured the Mantovani orchestra, headed by the star of the program, Mantovani, and a guest star each week. Mantovani's U.S. debut aired on WNET Channel 13 in New York on April 15, 1961 with singer Dorothy Collins in a salute to the "Silver Screen."