The third televised Academy Awards with M.C's Bob Hope in Hollywood and Thelma Ritter and Conrad Nagel in New York.
                                                    

September 9, 1963 - March 6, 1964

The lives of two Celebrities are recounted each day, through photos, newspaper clippings, letters and other material. Each celebrity is then evaluated by an "opionionator." Silent screen star Conrad Nagel is host-narrator for this live half-hour program, seen Monday through Friday form 1:00 to 1:30pm on local New York station WNBC. 

Throughout this six month series guest commentators include Pete Martin, Ben Miktum, Jerome Perlis, Betty Furness, Richard Willis, Hy Gardner, Sidney Fields, Helen Lauranceson, Hollis Alpert, Dorothy Serra, Otis Gurnsey, Raddie Harris, Muriel Davidson, Toots Shor, Lou Levy, Bill Davidson, Ted Nathan, Jill Sherry Zimmer,  Ted Donlevsky, Ella Winters, Al Lewis, Jacqueline Susann, Bernard Sobel, Ethel Barrymore Colt, Otto Preminger, Max Gordon, John Springer, John McCabe, Stanley Frank, William K. Everson, Richard Gamen, and others.


The careers of Marlon Brando and Frank Sinatra are profiled by host Conrad Nagel with additional anecdotes from Peter Martin. An afternoon series broadcast live every week.                          

The careers of George Jessel and Al Jolson are profiled by host Conrad Nagel with additional anecdotes from Al Lewis, the producer and director of the original play "The Jazz Singer," and from Pearl Seaman who reflects on the career of Al Jolson.   

Note: This is the only known extant broadcast (video / audio) of producer Albert Lewis reflecting on how he first met George Jessel  who starred in his produced Broadway Play THE JAZZ SINGER  in 1925. 

Lewis reminisces, uninterrupted, for four minutes. 

He remembers how he first met Jessel as a young Vaudevillian doing a monologue routine about how to eat frankfurters only with mustard...what attracted a young George Jessel to him who was very lively and so original..."an obvious immerging great talent." 

Al Lewis reminds us of his partnership producing team  Lewis and Gordon, producing one act plays and always looking for new talent which they found in George Jessel, who became a protégé of Lewis, rising to stardom in the theater. 

Al Lewis reflects how tedious and difficult Samson Raphaelson's first play, THE JAZZ  SINGER,  was to fashion into a one-act  stage play, a critical failure at first but managed to thrill audiences for 14 months on Broadway and turned a profit. 

Lewis mentions his regrets that Jessel was not able to come to terms with Warner Brothers who were not  in a financial position to meet his terms which created a profound missed opportunity for George Jessel to become movie star.                                     

The careers of Sophie Tucker and Maurice Chevalier are profiled by host Conrad Nagel with additional anecdotes from Bernard Sobel.    

NOTE:   All of this live series has been lost. Archival Television Audio’s founder and curator, Phil Gries personally audio tape recorded over100 biographies representing this  daytime  series  (Sept. 9, 1963 - March 6, 1964).’             

The careers of Abbott and Costello and Laurel and Hardy are profiled by host Conrad Nagel with additional anecdotes from John McCabe.